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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · October 28, 2024

The Truth About Chant Modality

It’s distressing to observe (in certain in quarters) an immature understanding of modality.

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Jeff Ostrowski · October 28, 2024

Bishop of Jefferson City Forbids Hymns

Bishop McKnight earned a doctorate in Sacred Theology.

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Jeff Ostrowski · October 26, 2024

Music List • (30th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · October 24, 2024

New Treasures Daily?

What lofty language!

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Jeff Ostrowski · October 22, 2024

“Reader Feedback” • 22 October 2024

“I had never directed for the TLM before this semester, and your resources have been beneficial…”

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Jeff Ostrowski · October 22, 2024

“Entrance Chant” for Sunday (27-Oct-2024)

This one was put in a “brighter” mode—owing to its text—based on the somewhat peculiar place the original came from.

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Jeff Ostrowski · October 20, 2024

Music List • (29th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · October 16, 2024

Released! • Stellar Hymn We Just Recorded

The Tenor line is particularly pleasant, the way it rises with stepwise motion and then descends.

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Jeff Ostrowski · October 15, 2024

“Entrance Chant” • For Sunday (20-Oct-2024)

This one’s in Mode 3, imitating the authentic Gregorian chant.

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Jeff Ostrowski · October 14, 2024

When Liturgists Are Dopey

Jeff shares a ‘quick thought’ regarding the topic of the sacred liturgy.

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Jeff Ostrowski · October 11, 2024

Music List • (28th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · October 9, 2024

“Entrance Chant” • For Sunday (13-Oct-2024)

This one’s in Mode 3, imitating the authentic Gregorian chant.

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Jeff Ostrowski · October 7, 2024

The End Is Coming!

I can’t help but wonder if this is…

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Jeff Ostrowski · October 5, 2024

Music List • (27th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

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Jeff Ostrowski · October 5, 2024

“In Feriis Per Annum” • Kýrie Eléison

For years I’d been meaning to harmonize the famous KYRIE SIMPLEX—but I never got the opportunity until today. Feel free to download the PDF score if you wish. It is “Kyrie XVI,” which in the old books bore the title In Feriis Per Annum.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower

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