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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · December 12, 2024

CCW • Appeal at Year’s End

As 2024 comes to a close, we could really use your financial support…

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Jeff Ostrowski · December 10, 2024

Re: Sacred Music Symposium 2025

Since a new month has arrived, it’s my pleasure to remind you that…

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Jeff Ostrowski · December 8, 2024

“Entrance Chant” • 3rd Sunday of Advent

This Introit is in the first mode.

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Jeff Ostrowski · December 7, 2024

For The Record …

It strikes me as quite “Adventy”—for lack of a better term.

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Jeff Ostrowski · December 7, 2024

PDF • “Advent Kyrie Accompaniment”

Kyrie XVII: “In dominicis Adventus et Quadragesimae.”

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Jeff Ostrowski · December 6, 2024

Music List • (Immaculate Conception)

Readers have expressed interest in perusing the “music list” I’ve prepared for this feast.

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Jeff Ostrowski · December 3, 2024

Organ Accompaniment • “Kyrie IV”

This was inspired by Florentinus Peeters (d. 1986).

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Jeff Ostrowski · December 2, 2024

Which Gospel Acclamations?

Some have asked which version…

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Jeff Ostrowski · November 26, 2024

“Entrance Chant” • Immaculate Conception

This Introit is in mode iii, which some consider the most beautiful.

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Jeff Ostrowski · November 25, 2024

How Sharp Are Your Eyes?

The feast of the Immaculate Conception contains a typo.

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Jeff Ostrowski · November 22, 2024

“Music List” • (Christ the King Sunday)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · November 19, 2024

“Entrance Chant” • Christ the King

The feast of Christ the King—a completely modern feast—was added in 1925.

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Jeff Ostrowski · November 16, 2024

“Music List” • (33rd Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · November 15, 2024

Lectionary Errors

Why even mention such a thing? Everybody makes mistakes, right?

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Jeff Ostrowski · November 14, 2024

PDF • SATB Enhancement (“Our Father”)

“As the congregation sings their part, the choir “enhances” them with polyphony. This is genius!” — Veronica Moreno

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Corpus Christi Watershed

President’s Corner

    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The wounded fingers of Jogues and Goupil and Coûture festered and bred worms and attracted flies and insects. They had no remedies, no cloth for bandages, nothing for relieving the pain but the tepid waters of the river. All day long they were cramped in the little boats; at night they had no rest from the mosquitoes and bugs that stung them all over their naked skin.”

— From “The Life of Saint Isaac Jogues”

Recent Posts

  • PDF Download • “O God, Our Help in Ages Past” — Simple Organ Interludes (5 pages)
  • “Be Joyful Mary” • Organ Interlude
  • Active Passivity? Yes. Let me explain.
  • “A Mode of Singing & Chanting Mass for Children”
  • Sacred Music in the Sunflower State!

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