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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · October 6, 2023

“Christ the King” is coming up…

I’ve attempted to record the INTROIT for the Feast of Christ the King according to the official rhythm of the Catholic Church. You can view the YouTube recording of my attempt. Traditionally, our Savior’s “kingship” was celebrated as part of the Epiphany—but in 1925, Pope Pius XI created the “feast of Christ the King” to […]

Jeff Ostrowski · October 5, 2023

Does Singing Fulfill One’s Obligation?

My colleague, Richard J. Clark, has a little motto: The more time you spend on an article, the less people will care about it. I cannot claim to understand why certain articles gain more attention than others. For whatever reason, this recent article of mine has received an incredible amount of downloads. The full and […]

Jeff Ostrowski · October 3, 2023

“Slander!” • (Response to an Accusation)

A reader sent us an email which was both thoughtful and articulate. Feeling it deserved a response, I published this article a few days ago. I included the full letter sent to us by the reader, but that’s not all. Indeed, the article became rather lengthy and touched upon a number of different themes. I […]

Jeff Ostrowski · October 2, 2023

Interesting story about Sergei Rachmaninoff

It’s very brief, but I think you would enjoy hearing Benno Moiseiwitsch (d. 1963) tell this really cool story about Sergei Rachmaninoff (d. 1943). Moiseiwitsch, whose playing was admired by Josef Hofmann, had studied with Theodor Leschetizky (d. 1915). I opened my recent article by speaking of a powerful quote Rachmaninoff gave to Robert Croan, […]

Jeff Ostrowski · September 30, 2023

[Quiz] • “Do You Know Your Hymns?”

In case you missed it, many readers have enjoyed taking this little Quiz On Hymns. In the context of that article, I included a sensational quote about the Holy Mass by Monsignor Ronald Knox. Moreover, I talk about how Abraham Lincoln’s mother died, as well as a fabulous Eucharistic hymn by the Archbishop of Canterbury.

Jeff Ostrowski · September 28, 2023

William Byrd • Simple “Agnus Dei” Canon

Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect […]

Jeff Ostrowski · September 20, 2023

“Glory To God” • (For Choir + Congregation)

I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” […]

Jeff Ostrowski · September 18, 2023

William Byrd • “Mass for Five Voices”

Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire […]

Jeff Ostrowski · September 17, 2023

“Baptism” • A Unique Hymn

Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on […]

Jeff Ostrowski · September 15, 2023

For the Record: “Jeff Plays Organ”

Twenty-five years ago, if you’d told me I would end up as an organist, I would have laughed. But God seems to have had a different plan! I intend to record every hymn in the Brébeuf Hymnal on the pipe organ (if our Savior gives me the time and energy). You can hear my first recording […]

Jeff Ostrowski · September 13, 2023

Why Sing? • Byrd Answers!

Make sure to click on the recent article by Dr. Charles Weaver, because he links to something remarkable. In essence, it’s a list—written by William Byrd!—regarding why we should sing.

Jeff Ostrowski · September 13, 2023

SEPTEMBER • Monthly Reminder

Each day, I speak via telephone to folks who have supported Corpus Christi Watershed for years. Yet many of them don’t know about our email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. Thank you!

Jeff Ostrowski · September 12, 2023

“Mixing” Your Singers? • Just Do It!

Not long ago, I posted an Agnus Dei for Three Voices by William Byrd (d. 1623). When we sing the “Agnus Dei” at Mass, I often have the singers mix up, so they’re not standing next to someone singing their part. In my experience, this technique does wonders for tuning. Here’s a live excerpt (Mp3) […]

Jeff Ostrowski · September 8, 2023

8 Sept. 2023 • Charles Rosen on Bach!

Charles Rosen was a concert pianist who published insightful books about various musical topics. I believe our readers will enjoy this 27-minute presentation on the music of Johann Sebastian Bach. Not everything Mr. Rosen says is true. (For instance, Rosen was not the first pianist to record the ART OF THE FUGUE on the piano. […]

Jeff Ostrowski · September 7, 2023

7 Sept. 2023 • Alphabetized Hymnals?

One could be forgiven for believing that arranging hymns in alphabetical order would make them easier to find. Believe it or not, that’s actually one of the worst decisions an editor could make. This very brief video explains why.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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