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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · February 15, 2024

Offered in a Spirit of Dialogue

Pope Francis said famously: “To dialogue entails a cordial reception, not a prior condemnation.” The following brief utterances of mine are offered in that spirit. Pope Saint Pius X called the sacred liturgy “the primary and indispensable source of the true Christian spirit.” If the reformers had told the fathers of Vatican II they desired […]

Jeff Ostrowski · February 14, 2024

Polyphony For Three Voices!

Writing excellent music is easier in four voices than three. We often sing from MATRI DIVINAE GRATIAE, a 3-voice collection by Kevin Allen for Soprano, Alto, and Bass. Someone made a recording of my volunteer choir singing “Si Ambulávero” (from that collection). This “raw recording” starts toward the end of the psalm tone then launches […]

Jeff Ostrowski · February 10, 2024

PDF Download • “Chant Chart”

A thoughtful priest from another country wrote me a magnificent message praising a PDF comparison chart I recently posted. It deals with “staffless” CARMEN GREGORIANUM (Gregorian Chant). Download it for free by scrolling to the bottom of this article. Of course, I hope you will read the article instead of just scrolling past it.

Jeff Ostrowski · February 7, 2024

“Somber Song!” • Sexagesima Sunday

As we approach the holy season of Lent, the prayers and readings become more lengthy. When we arrive at Easter, the prayers and readings will become extremely brief. As we get closer to Lent, some of the music becomes quite somber. I can’t think of a more somber piece than the INTROIT for Sexagesima Sunday. […]

Jeff Ostrowski · January 27, 2024

“Saint Mark” • Hymn Tune

Regarding the hymn tune called “ST MARK”—have you ever heard or sung this? If you scroll towards the bottom of this recent article, you can hear my choir (which is made up 100% of volunteers) singing it. Some people say the ST MARK melody sounds a little ‘protestant.’ What do you think? I rather like […]

Jeff Ostrowski · January 24, 2024

“Seeking Employment” • Please help!

You can download my official résumé.

Jeff Ostrowski · January 18, 2024

Gregorian Chant … with a drone?

It’s possible to sing Carmen Gregorianum with a drone note (a.k.a. “ison”) but is this always a good idea? I’ve heard it done very poorly. We tried singing GLORIA IX with an ison last Sunday. Feel free to listen to this excerpt (Mp3) and let me know your thoughts.

Jeff Ostrowski · January 18, 2024

Abbat Pothier on Gregorian Chant

“There is, then, in the Church, in the Catholic liturgy, a music that, as we have just stated, is both a word and a song, a music rich and powerful, although simple and natural, a music that is not self-seeking, which does not attend to itself but comes forth as the spontaneous utterance of religious […]

Jeff Ostrowski · January 12, 2024

Organ Accompaniment Booklet (25 pages)

Those who celebrate VESPERS each week may wish to download my organ accompaniment booklet (25 pages) for the 2nd Sunday after Epiphany. This was originally released about a year ago (link), but minor improvements have been made.

Jeff Ostrowski · January 11, 2024

Know your hymns? How Well?

Several singers from my choir recently recorded this beautiful hymn (Mp3), using famous lyrics from the Brébeuf Hymnal. How well do you know your hymns? Can you name that tune? If so, please email us. If you correctly name that tune, I’ll declare: “You really know your hymns!”

Jeff Ostrowski · January 8, 2024

Organ? Or SATB unaccompanied?

Pipe organ (with voices) or unaccompanied SATB? Which do you prefer? Yesterday at Mass, my volunteer choir gave you an opportunity to compare “apples to apples.” Simply click here and compare the first verse with the second. For the record, that melody is called by various names: ALTONA, VOM HIMMEL HOCH, ERFURT, and so on.

Jeff Ostrowski · January 8, 2024

Simple “Salve Regina” • Its Origins

In the past, I have attempted to determine the origins of the “simple” Salve Regina chant. When it comes to the so-called “restored” plainsong books, the earliest instance I can find (of the simple version) is in the LIBER RESPONSORIALIS, published in 1895, a marvelous book based upon the groundbreaking research of Dom Joseph Pothier. […]

Jeff Ostrowski · January 3, 2024

Do You Recognize This “Christmas” Tune?

Over the last 70 years, ST VENANTIUS has fallen out of favor. One reason might be that many harmonizations of it are “chunky.” I was pleased to see the Brébeuf Hymnal adopted the harmonization by Dom Gregory Murray (probably the finest ever created for ST VENANTIUS). This morning, I created this pipe organ recording. The […]

Jeff Ostrowski · December 31, 2023

PDF • January 1st (Organ Accomp. Booklet)

Anyone who wishes to may download the Organ Accompaniment Booklet (22 pages) I created for FIRST VESPERS of January 1st. That feast has various names, including “In Octava Nativitatis Domini.” These organ accompaniment booklets take forever to make!

Jeff Ostrowski · December 26, 2023

“Corde Natus Ex Parentis” (SATB)

A few minutes ago, I uploaded an English SATB version of “CORDE NATUS EX PARENTIS” (an ancient Christmas hymn by Prudentius). A nifty Latin version is also available. The quickest way to download either is to visit #668 in the Portal and scroll down to where it says: Additional information about Hymn 668. Many people […]

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Is this the dumbest statement ever written? “When considering texts for his motets, Gombert obtained his inspiration from Scripture—such as the Psalms—as opposed to the liturgy of the Roman Catholic church.”

— Wikipedia

Recent Posts

  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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