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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

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Jeff Ostrowski · May 24, 2025

“Gloria in Spanish” • Free Accompaniment

Several people have requested this.

Jeff Ostrowski · May 23, 2025

How Well Does ICEL Know Latin?

For the last fifty-five years, anyone who’s attempted to correct such errors has been threatened with legal action.

Jeff Ostrowski · May 20, 2025

“Common” Responsorial Psalm?

I try never to argue about liturgical legislation…

Jeff Ostrowski · May 15, 2025

“Music List” • 5th Sunday of Easter (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · May 14, 2025

Communion Chant (5th Sunday of Easter)

This particular chant was “rescued” from obscurity in 1969.

Jeff Ostrowski · May 13, 2025

PDF Download • “Entrance Chant” for the Fifth Sunday of Easter

I’m not a bishop. I’m not even a priest. I’m a husband & father who just wants to make it to heaven.

Jeff Ostrowski · May 12, 2025

“Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)

“When the Vatican Edition began coming off the press in 1905, its strongest supporters did not expect it to last until 1960…” —Mons. Schmitt

Jeff Ostrowski · May 10, 2025

“Music List” • 4th Sunday of Easter (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · May 8, 2025

“Entrance Chant” • 4th Sunday of Easter

This “Entrance Chant” is used during liturgical years A, B, and C.

Jeff Ostrowski · May 6, 2025

Music List • “Repertoire for Weddings”

When couples are getting married, they often request musical guidance.

Jeff Ostrowski · May 5, 2025

“Basic Catechism of Gregorian Chant” • Fifteen Questions Answered

“Kids, you’re only on this floating rock for a very short time.”

Jeff Ostrowski · May 4, 2025

“Music List” • 3rd Sunday of Easter (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · May 2, 2025

Communion (3rd Sunday of Easter)

This piece is sung by either all men or all women.

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

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