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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “2-Voice Hymn” (Holy Name)

Jeff Ostrowski · February 8, 2026

HERE IS ONE question which—as a Roman Catholic choirmaster—I dread very much. (I suspect my colleagues may also dread it.) The question is: “What would you recommend for a youngster interested in becoming a Catholic music director?” Knowing what I know about the sacred music scene, can I in good conscience recommend this challenging vocation to youngsters? After all, I don’t want to consign anyone to a life of disillusionment. In a moment, I’ll continue speaking about this topic. First, let me share a 2-voice arrangement of Brébeuf Hymn #554 (for the Most Holy Name of Jesus) which can be sung by one male and one female:

*  PDF Download • “2-voice arrangement of Brébeuf #554”

Here’s the direct URL link.

Difficulties and Obstacles • On this blog, we’ve often enumerated the obstacles which plague the conscientious choirmaster. One of them has to do with absences. Those who direct volunteer choirs must learn how to deal with absences. Realize that your singers will have family issues, health issues, vacations, school conflicts, transportation problems due to adverse weather conditions, birthday parties, employment conflicts, out-of-state funerals, and so forth. Sometimes, 75% of your choir members might be absent during scheduled rehearsals. This can be very disheartening for the director. How can progress be made when singers are absent? Moreover, the director must maintain an upbeat attitude. (By the way, never ‘vent’ to the singers who did show up.) Furthermore, the director must ‘adjust’ or ‘modify’ or ‘adapt’ the musical lineup, based upon which particular singers show up for rehearsal. If the absences become excessive, the conscientious choirmaster may be tempted to throw in the towel.

That Question • Now let me answer the earlier question: “Would you recommend a youngster pursuing the vocation of a Catholic music director?” I am comfortable recommending the choirmaster vocation if the candidate in question can learn to deal with absences. Perhaps it’s a bit like someone who wants to become a seminarian. I suspect wise priests would tell such a young man: “Don’t expect an easy life!” On the other hand, authentic Christians—and especially young men—find excitement in challenges!

2-Voice Arrangement • When there are many absences, a handy arrangement such as the one above provides a way forward, a ‘solution’ to absences, a way to proceed, a way to avoid despair. That particular hymn melody—featured heavily in the Brébeuf Catholic Hymnal—was greatly cherished by the Von Trapp Family Singers. If you’re in a real bind, the arrangement can even be sung by 1 male and 1 female! The SATB (4 part version) is also quite beautiful. As an added bonus, this meter works with most Latin breviary hymns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 2-Voice Hymn Arrangement, Altona Hymn Tune, Hymn for the Most Holy Name, Simple Polyphony, Two Voice Polyphony, Victis Sibi Cognomina, Vom Himmel Hoch Da Komm Ich Her Last Updated: February 9, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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  • “Dies Irae” • A Monstrous Translation

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