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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Pipe Organ Interlude During Funerals?” • (Reader Feedback)

Corpus Christi Watershed · February 5, 2026

The following came from Dennis M.
[We usually redact names for anonymity’s sake.]

APPRECIATED VERY MUCH the opportunity to download your MUSICAL TEMPLATE for Funerals which you uploaded to the Corpus Christi Watershed website a few days ago. Nevertheless, I am puzzled by number 7. There should be no organ interlude at the Offertory, as the documents state clearly that organ (or other instruments) can only be used to support singing at the Funeral Mass.

Jeff Ostrowski answered (below).
Posted on 5 February 2026.

Before I say one word, I should probably point out that—in spite of what I wrote on the TEMPLATE (PDF file) you reference—I’ve never actually played an ORGAN INTERLUDE during the Offertory because the plainsong (Dómine Jesu Christe) is fairly lengthy, so I never have time. But since I’m a somewhat nervous person, I always like to have a “Plan B.” Broadly speaking, much of the post-conciliar legislation concerning sacred music is muddled and self-contradictory, although I take no pleasure in saying this. For instance, there was a document published in the 1970s by the USCCB Committee on Divine Worship called “The Place of Music in Eucharistic Celebrations.” [This document—promoted heavily by people like Monsignor Frederick McManus—was finally was abolished in 2007.] The document told Catholic musicians that singing psalms (!) during Mass “may create problems rather than solve them.” On the other hand, before Vatican II, the pipe organ was forbidden during funerals … yet the “Missa pro defunctis” was without question the most popular item for which to create organ accompaniments in those days! So there seems to have been a gap between the official legislation and ‘what was happening on the ground’ in most parishes … at least in the United States.

In terms of an explicit ban on organ interludes during funerals (for the 1970 Missal) I’m not aware of such a document. Perhaps one of our readers can email me a specific citation?

By the way, my friend Mæstro Fritz reminded me that certain Church leaders follow a principle: “A law that’s not enforced ceases to be a law.” Perhaps he’d be willing to weigh in, citing chapter and verse?

Those who carefully examine the articles I’ve published over the last 10 years will notice I take Church documents very seriously. On the other hand, the Catholic Faith is eminently rational. In spite of what some claim, we are not ‘robots’ who blindly follow rubrics in a legalistic and mindless way. What I’m suggesting is that we have an obligation to consider the reason certain customs and laws came into being. A century ago, French cathedrals were massive, with enormous and luxurious pipe organs. Playing the organ at Mass (sadly) sometimes became a “concert.” Famous French organists would play all during the Low Mass, giving a type of organ ‘recital’ or performance. In those days, the pipe organ was a symbol of joy and festivity.

Does it make sense to look at things the same way today? Taking away the pipe organ; what effect would that have on most Catholics today? In Texas, a certain person once approached me after Mass. (I will not reveal his name because he’s currently the musical director for a Roman Catholic archdiocese.) He approached me with a bewildered look on his face. He introduced himself, and told me how amazing it was to hear me play the pipe organ Mass. Then he asked: “Is that actually allowed?” Remember, this person is currently director of music for an archdiocese. He was literally asking me whether it’s allowed to play the pipe organ at Mass. And that’s why I ask whether a rational person working in the Church today could argue that ‘taking the organ away’ will be experienced as a lack of festivity. To describe things another way: it’s absurd to speak of ‘removing’ something if the person in question has never experienced it in the first place. It would be like ‘punishing’ someone by revoking their privileges to travel to the planet Jupiter.

As always, please let me know
if you agree with my analysis.

Update:
A reader has sent the following email: “Interestingly, I rewatched part of Pope France’s funeral, and organ instrumentals (organ interludes) are played during the Offertory.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: February 6, 2026

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

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  • “Dies Irae” • A Monstrous Translation

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