• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Pipe Organ Interlude During Funerals?” • (Reader Feedback)

Corpus Christi Watershed · February 5, 2026

The following came from Dennis M.
[We usually redact names for anonymity’s sake.]

APPRECIATED VERY MUCH the opportunity to download your MUSICAL TEMPLATE for Funerals which you uploaded to the Corpus Christi Watershed website a few days ago. Nevertheless, I am puzzled by number 7. There should be no organ interlude at the Offertory, as the documents state clearly that organ (or other instruments) can only be used to support singing at the Funeral Mass.

Jeff Ostrowski answered (below).
Posted on 5 February 2026.

Before I say one word, I should probably point out that—in spite of what I wrote on the TEMPLATE (PDF file) you reference—I’ve never actually played an ORGAN INTERLUDE during the Offertory because the plainsong (Dómine Jesu Christe) is fairly lengthy, so I never have time. But since I’m a somewhat nervous person, I always like to have a “Plan B.” Broadly speaking, much of the post-conciliar legislation concerning sacred music is muddled and self-contradictory, although I take no pleasure in saying this. For instance, there was a document published in the 1970s by the USCCB Committee on Divine Worship called “The Place of Music in Eucharistic Celebrations.” [This document—promoted heavily by people like Monsignor Frederick McManus—was finally was abolished in 2007.] The document told Catholic musicians that singing psalms (!) during Mass “may create problems rather than solve them.” On the other hand, before Vatican II, the pipe organ was forbidden during funerals … yet the “Missa pro defunctis” was without question the most popular item for which to create organ accompaniments in those days! So there seems to have been a gap between the official legislation and ‘what was happening on the ground’ in most parishes … at least in the United States.

In terms of an explicit ban on organ interludes during funerals (for the 1970 Missal) I’m not aware of such a document. Perhaps one of our readers can email me a specific citation?

By the way, my friend Mæstro Fritz reminded me that certain Church leaders follow a principle: “A law that’s not enforced ceases to be a law.” Perhaps he’d be willing to weigh in, citing chapter and verse?

Those who carefully examine the articles I’ve published over the last 10 years will notice I take Church documents very seriously. On the other hand, the Catholic Faith is eminently rational. In spite of what some claim, we are not ‘robots’ who blindly follow rubrics in a legalistic and mindless way. What I’m suggesting is that we have an obligation to consider the reason certain customs and laws came into being. A century ago, French cathedrals were massive, with enormous and luxurious pipe organs. Playing the organ at Mass (sadly) sometimes became a “concert.” Famous French organists would play all during the Low Mass, giving a type of organ ‘recital’ or performance. In those days, the pipe organ was a symbol of joy and festivity.

Does it make sense to look at things the same way today? Taking away the pipe organ; what effect would that have on most Catholics today? In Texas, a certain person once approached me after Mass. (I will not reveal his name because he’s currently the musical director for a Roman Catholic archdiocese.) He approached me with a bewildered look on his face. He introduced himself, and told me how amazing it was to hear me play the pipe organ Mass. Then he asked: “Is that actually allowed?” Remember, this person is currently director of music for an archdiocese. He was literally asking me whether it’s allowed to play the pipe organ at Mass. And that’s why I ask whether a rational person working in the Church today could argue that ‘taking the organ away’ will be experienced as a lack of festivity. To describe things another way: it’s absurd to speak of ‘removing’ something if the person in question has never experienced it in the first place. It would be like ‘punishing’ someone by revoking their privileges to travel to the planet Jupiter.

As always, please let me know
if you agree with my analysis.

Update:
A reader has sent the following email: “Interestingly, I rewatched part of Pope France’s funeral, and organ instrumentals (organ interludes) are played during the Offertory.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: February 6, 2026

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”
  • Every Artist Needs a Refuge
  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.