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Corpus Christi Watershed

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Views from the Choir Loft

PDF Download

Daniel Marshall · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

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Jeff Ostrowski · October 4, 2025

“American Catholic Hymnal” (1991)

This one book contains and memorializes every horrible idea from the 1980s.

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Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Jeff Ostrowski · October 3, 2025

“Music List” • 27th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

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Jeff Ostrowski · September 27, 2025

“Music List” • 26th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Julie Huebner · September 27, 2025

Unison • “Deceptively Easy, Relentlessly Unforgiving”

“That’s not just music. That’s Catholicism at its most apostolic, most bold, and most timeless.” —Julie Huebner

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Jeff Ostrowski · September 27, 2025

“Reminder” — Month of September (2025)

It’s my pleasure to remind you that…

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Jeff Ostrowski · September 26, 2025

PDF Download • Communion (26th Sn. Ord.)

This Communion antiphon sparkles with beauty.

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Jeff Ostrowski · September 25, 2025

PDF Download • “Hymn by Father Thomas à Kempis” (arranged for 2 voices)

For the upcoming feast on 9 November (which replaces the Sunday Mass).

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Jeff Ostrowski · September 24, 2025

“Canonic” • Ralph Vaughan Williams

This is quite a clever arrangement of “Come down, O love divine.”

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Dr. Alfred Calabrese · September 23, 2025

Dr. Alfred Calabrese • “Three Recommendations for Children’s Repertoire”

Below are three compositions I’ve used with great success…

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Jeff Ostrowski · September 22, 2025

Did they simplify these hymn harmonies?

Looking through a (Roman Catholic) German hymnal printed in 1952…

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Guest Author · September 22, 2025

Installment #7 • Three (3) Questions Re: Forthcoming USA Lectionary

What is the specific criteria for this most recent tinkering?

Jeff Ostrowski · September 21, 2025

PDF Download • “Side-By-Side Comparison”

Re: the special hymn for the upcoming feast (9 November).

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“We turn to the East when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

— Saint Augustine of Hippo

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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