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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

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Corpus Christi Watershed · February 7, 2025

“Win or Lose, a Fight Worth Fighting!” • (Email Received from a Priest)

We owe a tremendous debt of gratitude to Jeffrey Tucker, who prevented a non-Christian company from securing a monopoly on the (mandatory) English psalm translation!

Jeff Ostrowski · February 7, 2025

“Music List” • 5th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · February 6, 2025

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

This injunction from Archbishop Fulton J. Sheen is crucial for artists.

Jeff Ostrowski · February 5, 2025

PDF Download • “Psalm Comparison Chart”

This PDF chart will be of interest to Catholic musicians!

Corpus Christi Watershed · February 4, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Jeff Ostrowski · February 4, 2025

PDF Download • “Entrance Chant” for the 5th Sunday in Ordinary Time (Year C)

I would argue we must renew our good resolution and stand firm.

Jeff Ostrowski · February 2, 2025

“Music List” • Presentation (2 February)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · February 1, 2025

“Entrance Chant” • Presentation (2 Febr.)

This English adaptation imitates the authentic Gregorian Chant version in a splendid way.

Jeff Ostrowski · January 31, 2025

PDF Download • Intensely Rare 1898 “Roman Gradual” — (Released for the First Time in History)

I carefully scanned all 642 pages in (color) high resolution.

Jeff Ostrowski · January 31, 2025

2 February • “Communion”

I would say: “Somewhat dark, yet beautiful”

Jeff Ostrowski · January 30, 2025

Thoughts on the “English” Method of Hymn-Printing

Protestants sometimes say: “One must never omit verses of a hymn, because hymns tell a story.”

Jeff Ostrowski · January 28, 2025

Breaking! • “Cardinal Roche Vs. Bishop Paprocki” (Development on 23 Jan. 2025)

On 23 January 2025, Arthur Cardinal Roche attempted (?) to overrule the Vatican’s “Committee on Canonical Affairs.”

Corpus Christi Watershed · January 27, 2025

Photograph • Mass at Dachau Concentration Camp

Is that a tiny pipe organ?

Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

Jeff Ostrowski · January 25, 2025

“What Are the Urbanite Hymns?” (4-Page PDF)

“No one who knows anything about the subject now doubts that that revision of Urban VIII was a ghastly mistake, for which there is not one single word of any kind to be said.” —Father Adrian Fortescue

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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