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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Entrance Chant” • 5th Sunday of Lent

Jeff Ostrowski · April 4, 2025

EEL FREE to download the ENTRANCE ANTIPHON in English for the Fifth Sunday of Lent—6 April 2025—which is traditionally known as “Passion Sunday” because it begins a two-week period of special emphasis on our Redeemer’s PASSION. This free organ accompaniment corresponds to the vocalist score. During Passiontide, the “Glória Patri” is omitted. The authentic version of the INTROIT is iconic, and PSALM 42 is quite well-known. The Latin words (Emítte lucem tuam et veritátem tuam: ipsa me de duxérunt et adduxérunt…) are rendered so beautifully by Monsignor Knox:

“The light of thy presence,
the fulfilment of thy promise,
let these be my escort…”

If you’re someone who enjoys rehearsal videos, I’ve attempted to sing it while simultaneously accompanying my voice on the pipe organ.

Here’s the direct URL link.

Veiling of Images • The traditional Gospel for Lent’s 5th Sunday ended with: Jesus autem abscóndit se, et exívit de templo (“but Jesus hid Himself, and went out of the temple”). For the two weeks of Passiontide, church images are hidden with violet fabric. Bishop Durandus says the veiling reminds us that “Christ veiled His divinity during His passion,” but other explanations have also been given.

Unsuccessful Attempt • A secret commission set up by Pope Pius XII (known as the Commissio Piana) attempted to get rid of the traditional name of “Palm Sunday.” They wanted to replace it with Second Passion Sunday, but that never caught on. Catholics still insist upon calling it “Palm Sunday”—and rightly so. The only author I know who adopted their bizarre terminology (“Second Passion Sunday”) was Frederick R. McManus, an extremely ‘progressive’ liturgist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Entrance Chant Collection Last Updated: April 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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