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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · July 14, 2020

Obsequies for Msgr. Georg Ratzinger (1924-2020)

I doubt the Divine Office in the vernacular could have been more beautifully sung.

Keven Smith · July 14, 2020

Two Fast, Easy Ways for Church Musicians to Relieve Stress

One common place for musicians to feel wear and tear is in the neck. Here’s how to release it.

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Jeff Ostrowski · July 13, 2020

1,055 Images • “Paramentica Liturgical Design”

When we pray from a book which is special, beautiful, and dignified, it helps us focus.

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Jeff Ostrowski · July 12, 2020

Two Settings • “Holy God, We Praise Thy Name”

Imagine trying to read from a score like this!

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Richard J. Clark · July 10, 2020

The Illusion of Permanence — an Exercise in Humility

There is an illusion of permanence in the Church. We are changing often and changing right now.

Jeff Ostrowski · July 10, 2020

Featured • “To All Who Care About CCWatershed”

During my 9 years as president, you know I never ask for assistance unless it’s absolutely necessary.

Fr. David Friel · July 8, 2020

Solemn Novena for Our Lady of Mt. Carmel

This year’s preacher will be Fr. Joseph Lee, F.S.S.P.

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Jeff Ostrowski · July 8, 2020

Can These Youngsters Save Catholic Music?

This remarkable piece by Father Victoria contains a mind-blowing canon between upper voices!

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Jeff Ostrowski · July 8, 2020

“Just how Tridentine are you?” • Quiz by GIA Publications

GIA’s 2004 article Re: “masses of yesteryear” seems absurd on this 13th Anniversary of Summorum Pontificum.

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Keven Smith · July 7, 2020

Unslumping Yourself with the King of Instruments

On those days when you can’t quite put your heart into singing, improvising at the organ can be comforting and rewarding.

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Jeff Ostrowski · July 5, 2020

Two remarkable (radical) liturgical realities … which few realize!

It’s interesting to compare the literal translations in the Brébeuf Hymnal to those done by Solesmes Abbey during the 1950s.

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Guest Author · July 5, 2020

Saint Eulalia Gradual • Guest Article by Josh Carey

“This has been extremely successful in my parish, and I plan to continue until I’ve set the entire church year.” —Joshua D. Carey

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Veronica Brandt · July 4, 2020

EF Gospel Illustrations

An Illustrated Book of Gospel Meditations from 1593! Print one for this Sunday to explore and color.

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Wilfrid Jones · July 1, 2020

Sing Praises with Understanding: A Scriptural Approach to Musical Participation

As churches prepare to return from lockdown, what about music in the liturgy makes it essential? In the next essay in his series encouraging liturgical musicians to consider what their vocation entails, Wilfrid Jones shares his thoughts on the nature of active participation.

Guest Author · July 1, 2020

“Choral Singing post-COVID” • Perspectives from a Hong Kong Doctor & Chorister

A package of measures to keep choral singing safe.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

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  • “Thee” + “Thou” + “Thine”

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