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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Holy Week and Easter with Gregorian Chant” (797 pages)

Jeff Ostrowski · July 23, 2020

E WOULD LIKE to thank Mæstro Gustavo Adolfo Valencia Caro for providing this exquisite book—which is extremely rare—printed in Belgium in 1949. Now that Pope Francis has allowed certain parishes to use the “pre-1955” Holy Week, this book is even more welcome than it otherwise would be. Speaking of the “pre-1955” Holy Week, we hope to make an announcement vis-à-vis the 3rd edition of the Saint Edmund Campion Missal before too long…but that will have to wait for another day.

*  PDF Download • HOLY WEEK & EASTER OCTAVE (1949)
—Extremely large PDF file (139MB); 797 pages long.

What a treasure this 797-page book is!

This book is designed for choirs, yet includes the complete Gregorian settings of the Passion of our Lord—I’m not entirely sure why, but it’s very welcome:

Just like the Brébeuf Hymnal, each verse of every hymn is carefully notated, which is wonderful for singers:

The red initials and rubrics are gorgeous:

The red markers for each singer during the Passions are quite striking, and very helpful:

The rhythm is marked according to the “pure” Editio Vaticana, which is still the official rhythm of the Church:

The CANON MISSAE is elegant:

The book demonstrates a prepossessing use of subtle graphics and gentle fonts:

When it comes to the Divine Office, some of the chants are quite intricate—I would need to practice these in advance before attempting them:

Everything required for each Mass is conveniently provided—KYRIE, GLORIA, and so on:

The editors really did think of everything—they even include the “Pange Lingua” of Saint Thomas Aquinas for Holy Thursday, instead of forcing you to consult another book (as some collections do). Just as in the Brébeuf Hymnal, each and every verse is carefully “written out” (notated) directly underneath the musical notes:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Pre-1955 Holy Week Last Updated: March 22, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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