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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence

Jeff Ostrowski · July 31, 2020

ERONICA BRANDT recently alerted to me to a piece I’d never heard of: Stella Caeli Exstirpavit—“plainsong during time of plague.” I see that young ladies from the fabulous new Brébeuf Virtual Choir have recorded this piece, and I have no idea how they were able to accomplish this virtually. I understand how metrical (“rhythmic”) pieces are recorded virtually, but pieces in free rhythm are impossible…at least that’s what I thought until I heard their gorgeous rendition:

*  PDF Download • Stella Caeli Exstirpavit
—Common melody • Gregorian Chant During Times Of Pestilence.

*  PDF Download • Alternate Melody
—Alternate melody • Gregorian Chant During Times Of Pestilence.

Watch Out For Typos!

Some differences don’t matter. For example, “exstirpavit” and “extirpavit” are both correct, just as “exsultet” and “exultet” are both correct. The same is true for “coeli” and “caeli”—these are orthographical changes of little consequence. One the other hand, certain versions have “plántavit”—a major error:

It should be “plantávit,” as you can see here:

Also, it is “dignétur” not “dignátur,” as you can see:

Latin With English Translation

Stella coeli exstirpávit,
quae lactávit Dóminum:
Star of Heaven,
who nourished the Lord

Mortis pestem quam plantávit
primus parens hóminum.
and rooted up the plague of death
which our first parents planted;

Ipsa stella nunc dignétur
sídera compéscere,
may that star now deign
to hold in check the constellations

quorum bella plebem coedunt
dirae mortis úlcere.
whose strife grants the people
the ulcers of a terrible death.

O piíssima stella maris,
a peste succúrre nobis,
O glorious star of the sea,
save us from the plague.

Audi nos, Dómina, nam Fílius tuus
nihil negans te honórat.
Hear us, O Lady, for thy Son,
denying nothing, honors thee.

Salva nos, Jesu, pro quibus
Virgo Mater te orat!
Save us, Jesus! For us,
the Virgin Mother entreats Thee.

Further Information • “Stella Coeli Extirpavit”

*  ARTICLE ON STELLA CAELI • Canticum Salomonis
—Contains interesting historical versions of “Stélla Cœ́li Extirpávit.”

*  ARTICLE ON STELLA CAELI • Christopher Macklin
—This is a PDF download from Cambridge University Press.

*  ARTICLE ON STELLA CAELI • Dr. Eleanor Parker
—Published on “A Clerk of Oxford,” which is an interesting blog.

*  ARTICLE ON STELLA CAELI • Dr. Aaron James
—Dr. James also reviewed the Brébeuf hymnal for the Antiphon Journal.

*  ARTICLE ON STELLA CAELI • Veronica Brandt
—Containing several versions of a “clean” score (Gregorio).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Brébeuf Virtual Choir Last Updated: July 31, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

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