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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Huge Announcement • The Brébeuf Virtual Choir!

Andrea Leal · May 22, 2020

HEN the organizers of the Sacred Music Symposium started the conference five years ago, no one could have imagined how consequential it would become, or how far-reaching its influence would be. We have witnessed a ripple effect work its way outward from every single Symposium thus far—even the one that, this year, never took place due to Covid-19.

The Symposium committee had no idea this lovely surprise (see below) was in the works, but I think I can speak for us all when I say: this group has done amazing work. In a particular way, I was thrilled to notice several of the singers whom I had the honor to train (for our Schola Cantorum in Las Vegas). Our conference is all about teaching and inspiring people to spread the use of sacred music in their own circles, especially in service to the sacred liturgy. The people you will see in this video come from very diverse backgrounds. But thanks to the FSSP Sacred Music Symposium, they have formed bonds of friendship that span time and distance. Bravo!

Their first video received more than 1,200 views on YouTube in a single day:

I suppose somebody could xerox copy the score from the Symposium booklet, but we hope you won’t do that. Instead, please support this wonderful composer by purchasing his musical scores:

*  Purchase Score • Three Motets (Kevin Allen)
—“Ave Maria” (SATB); “Prayer to St. Michael” (SATB); “Salve Mater” (SATB).

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The Story of the Brébeuf Virtual Choir

By Miss Sarah Halas


ORPUS Christi Watershed’s annual Sacred Music Symposium in Los Angeles, California, is an event many Catholic choristers and music directors have looked forward to each year for the last 4 years. It has been a place for them to meet and form lasting friendships with fellow like-minded Catholic musicians of all ages from around the world. Many of the participants from the last 4 years have kept in touch over an instant messaging chat. Most unfortunately, this year’s Symposium was canceled due to restrictions resulting from the Covid-19 pandemic. When this announcement was made, the whole chat group was saddened but not discouraged in their music-making. These same musicians are all stuck at home away from their choirs and parish families so they have a lot of free time on their hands. So one day, one of the chat members, Miss Sarah Decker, suggested putting together a virtual choir recording. Almost all of the members delightedly jumped on the idea and in just over a week, put together an inspiring polyphonic motet video.

They chose Kevin Allen’s Ave Maria, which was composed for and debuted at Fr. Luc Poirier’s First Mass during the Sacred Music Symposium 2019. The members of the virtual choir thought it very fitting to honor our blessed mother Mary in the month of May. They hope that this piece will lift souls towards Heaven and aid in Marian devotion. Most of the project participants had learned and performed Allen’s Ave Maria under the direction of Mæstro Richard J. Clark at last year’s Symposium. Some, however, did not attend last year, but in years prior. Consequently, they didn’t know the piece. Nevertheless, these talented singers arose to the occasion, learning and recording their parts in a matter of days. Miss Phoebe Wing graciously created MIDI files for the singers so they could all keep together. Dr. Henrique Coe, assisted by Mr. John Rigney, edited and compiled the audio and video. All of the members worked wonderfully together to make this project a success.

During the process, Mr. Christian Ryan decided the virtual choir group needed a name. Ideas were thrown around, but the members did not take long in deciding on the name “Brébeuf Virtual Choir” under the patronage of St. John de Brébeuf. A logo was zealously drafted by Mr. Francisco Elias Duran and Miss Bernadette Rigney. The Latin quote on their logo comes from the first line of the Introit for the feast of St. Isaac Jogues, John de Brébeuf and Companions; “These are they who are come out of great tribulation…” This line also seems fitting since this music has come out of great tribulation amid the current pandemic. The mission of the Brébeuf Virtual Choir is to promote Sacred Music especially during this time when many are deprived of it. All the members have been blessed to work together and record this beautiful piece of sacred music. They hope it blesses those who hear it just as much! The Brébeuf Virtual Choir plans on recording and releasing more videos so please stay tuned!

The members of the Brébeuf Virtual Choir would like to thank all the faculty and staff of the annual Sacred Music Symposium for their hard work, dedication, and inspiration. Without this event, the members of the virtual choir may never have met! Even though the event had to be canceled this year, they look forward to next year’s Symposium!

You can follow the BVC on YouTube and Facebook.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Brébeuf Virtual Choir Last Updated: May 22, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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