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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · March 28, 2025

“From A Priest” • Reader Feedback (28 March 2025)

“I grew up in an Italian-American family.” —Feedback from a priest.

Adam Raha · March 27, 2025

AI, Primary Things, & Our Parish Choir

Every Sunday, my family and I really want to attend no other Mass than the one the choir is singing at.

Jeff Ostrowski · March 25, 2025

PDF Download • “Musical Booklet” (16 Pages) — Solemnity of the Annunciation: 25 March

A simple Mass for Cantor + Organist.

Veronica Moreno · March 23, 2025

PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary or Extraordinary Form

Last week, a major bombshell was dropped with regard to two major publishing companies of Catholic hymnals.

Dr. Lucas Tappan · March 20, 2025

A Youth Revolution in Sacred Music

“I have a challenge for each of our readers.” —Dr. Lucas Tappan

Jeff Ostrowski · March 17, 2025

“Opportunity of a Lifetime” • Don’t Miss This!

The vast majority of these women had never sung plainsong—but they’ve taken to it like a duck to water.

Corpus Christi Watershed · March 14, 2025

Reader Feedback • “Reform of the Reform”

“Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment, failing to realise what it was supposed to be until much later.” —Chad H.

Jeff Ostrowski · March 13, 2025

Can Catholics Fulfill the Sunday Obligation on Saturday Night? • What Happened In 1983?

This concession was granted in part due to “the enormous and ever increasing frequency of weekend trips and skiing excursions…”

Corpus Christi Watershed · March 12, 2025

“I Hate, Loathe, and Utterly Despise the Trivial Details of Ceremonies.” —Father Adrian Fortescue

“I want never to hear another word about ceremonies for as long as I live. I would rather discuss the symptoms of cancer.” —Dr. Fortescue

Corpus Christi Watershed · March 11, 2025

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Reclaiming Gregorian Chant for children at the New England “Pueri Cantores” choral festival & Mass.

Jeff Ostrowski · March 9, 2025

Re: Cardinal Roche Interview (6 March 2025)

For a number of reasons, this statement sounds fishy.

Jeff Ostrowski · March 8, 2025

“My Song Is Love Unknown” • Jeff Attempts to Sing All Parts … Including the Female Voices!

Few Catholics seem to realize it was Pope Pius XII who suppressed Tenebrae, a ceremony deeply loved by the faithful for centuries.

Jeff Ostrowski · March 6, 2025

Watch David Poon Defeat Jeff in His Own “Hymn Challenge” — Re: The English Method

Bonus! Six (6) of my favorite Lenten hymns.

Dr. Charles Weaver · March 5, 2025

Solmization from the Inside, Part 3

Making the case for the (very) old method of solfège, or, what is so sharp about sharp notes?

William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“What really matters in life is that we are loved by Christ and that we love Him in return. In comparison to the love of Jesus, everything else is secondary. And, without the love of Jesus, everything is useless.”

— Pope John Paul II (1979)

Recent Posts

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  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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