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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My choir is devoid of this generation (And it’s a healthy sign)

Mark Haas · October 1, 2025

UR PARISH IS BURSTING at the seams with people of all ages. On any given Sunday—or even weekday Masses—you will see a sanctuary filled with people from every stage of life. There is a strong and steady body of retired parishioners, quietly faithful and prayerful. But what is even more striking is the sheer number of young families. Babies chirp, toddlers squirm, and children whisper (or occasionally yell) throughout the Mass. Far from being a distraction, it is music to my ears: a sign that the Church is alive.

This unique vitality is nowhere more visible than in the choir loft. I currently direct a 30-person adult choir that serves our highest-attended Sunday morning Mass. What’s fascinating about this ensemble is its age composition: the vast majority of our singers are either teenagers, college students, or retirees. At first, I found the absence of people in their 30s and 40s rather strange. Where was the middle generation?

Where is the missing generation? • One Sunday, while glancing down from the loft during the homily, the answer became clear. The “missing” generation was not missing at all—they were sitting right there in the pews, wrangling toddlers, calming babies, and guiding young children through the Mass. They weren’t absent from the Mass; they were fully immersed in it, fulfilling a different, deeply sacred role.

This moment helped me recognize something profound: our parish is extraordinarily healthy. It is not a deficiency that moms and dads in their 30s and 40s are not singing in the choir right now—it is a sign of vocation being lived well. These parents are doing the hard, holy work of raising children in the faith.

As Pope St. John Paul II wrote in Familiaris Consortio: “The future of humanity passes by way of the family.” When mothers and fathers bring their children to Mass week after week—even when it’s difficult, noisy, and distracting—they are laying the foundation for a holy Church and a holy world. “The family,” John Paul II continued, “is the first and vital cell of society.”

The children belong • Some parishes “shew” away the children with the intention of engaging this middle generation of parents. When I was younger, it was common for the children of choir members to be taken to a nursery during Mass. At the time, it seemed like a practical solution; a way to keep the church quiet and allow the choir to focus. But in hindsight, I see how this practice—however well-intentioned—robbed young children of their rightful place within the Mass. By virtue of their baptism, children are full members of the Church and have a claim to the sacred mysteries being celebrated.

As a parish music director, I will always welcome anyone who wishes to join our choirs—no matter their age or season of life. But I also know that for many parents, the choir loft will have to wait. They are in the trenches, in the pews, holding sippy cups and pacifiers, teaching their children how to make the sign of the cross, whispering prayers into little ears, and modeling reverence.

Their time will come • Their role is no less liturgical than ours in the loft. There may come a time when these parents will have the freedom to return to choral ministry. When they do, the door will always be open. But until then, their sacrificial presence in the pews is a hymn of its own.

To every parent currently juggling sippy cups and hymnals, know this: your presence is more than welcome. It is essential. As you whisper prayers to your little ones, you are forming saints. As you calm a fussy toddler while the Sanctus rings out, you are building the Church. Someday, your hands will be free to hold music again—but for now, you hold something even holier: souls entrusted to you by God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

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  • “Reminder” — Month of April (2026)

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