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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I’m tired of tribalism.

Richard J. Clark · September 29, 2025

N THE 1970s and 1980s there existed among musicians a distinct tribalism in popular music. As an adolescent, I most definitely sided with the “disco-(stinks)-rock-rules” clan. Forget about rap! That was out of the question. Today I listen to all of it and admire the best of the best — albeit much has been vetted by time and discernment. In sports the mentality is called “rooting for laundry.” It doesn’t matter who is playing for one’s team. As long as they wear the preferred colors, they represent all that is good, right, and worthy. Everyone else is the enemy. Much the same can be said for politics with no room for nuance, moderation, or reason.

Forgive this recounting of my personal background: Difficult to discern from my cherry-picked online profile (never believe everything you read on the internet!), I have an unusually broad background in music. I was heavily involved in pop song writing for decades. It still holds influence. I was deep in jazz, classical, and pop all at once. This is part of what drew me to the Berklee College of Music in the late 1980s. Bach fugues in one class, Thelonius Monk and John Coltrane in another, Stravinsky and Bartok in yet another. Sometimes these topics arose all in the same day. I loved it.

Eventually the pipe organ and Gregorian chant sucked me in for good and for life. But my feet remained simultaneously in many musical worlds.

This taught me to appreciate diverse and sometimes unconventional approaches to the creative process. While insanely passionate about the pipe organ, chant, and traditional liturgy, (I don’t apologize for that) my vantage point is disparate; my journey circuitous. Where some draw boundaries and refuse to explore, I encounter multiple vantage points. My hope is that this experience has been somewhat beneficial in serving God.

Saint Paul Warns Us

“I MEAN THAT EACH of you is saying, ‘I belong to Paul,’ or ‘I belong to Apollos,’ or ‘I belong to Cephas,’ or ‘I belong to Christ.’ Is Christ divided? Was Paul crucified for you? Or were you baptized in the name of Paul?” (1 Corinthians 12-13)


Tribalism found its way into the Church from the very beginning, hence a few letters from Saint Paul! Among many controversies in the Church, music is not immune. In principle, we can agree there is no “traditional” vs. “contemporary” in that there is no “versus.” There is only “one Lord, one faith, one baptism.” (Ephesians 4:5)

Keys to the Kingdom

THERE IS A DIFFICULT lesson, and it is one of manipulation. This sadly manifests in music, liturgy, politics, and the Church. It is not prayer or service. It’s tearing us apart, and a cause for great anxiety and sadness. And quite likely, we are being played like a fiddle.

Let me explain with a story I call the “keys to the kingdom.” In 1990 or 1991 I attended the “New Music Seminar” held in Times Square in Manhattan. It was for pop artists, record company executives, song writers, and a lot of “wanna-be” pop-star musicians.

At one session, several artists and song writers expressed their dismay to a panel of radio and record company executives about what they perceived as the poor quality of music being played on mainstream radio. Maybe they were mad their music wasn’t being played. Who knows.

One radio executive on this panel in front of maybe 1,000 people exploded everyone’s minds. He dropped the veil with some harsh truth. And it was one of the most valuable lessons I ever learned. What he said shocked many musicians. But now it’s embarrassingly obvious.

He stated without a trace of compassion: “I need to remind you that in radio, we are not in the music business. We are in the business of selling advertising.”

What sells the most advertising dollars is what gets aired. Nothing personal. It’s business. And this explains much — if not all — of our polarized world, one perhaps divided by design. Division and anger — especially self-righteous anger — is good for business. Very good, especially in our click-bait world. It is also good for control. No middle ground. No Venn diagram. No dialogue. No kindness and courtesy especially. Extremes, once the outliers, become normative.

Thy kingdom come. Thy will be done.

KEEP YOUR EYES wide open. Do not allow yourself to be manipulated. Think for yourself. Be mindful of visceral reactions whether one’s own or of others, especially responses caused by “rooting for laundry.” Do not get sucked into the vortex of tribalism, no matter how ingrained in humanity’s DNA.

More importantly, give oneself over to the service of God. Thy kingdom come. Thy will be done. One must rise above, forgo power, and serve the mission.

I write these things to remind myself. Stay grounded in God. The promise of truth outside of God is all a lie.

I, then, a prisoner for the Lord, urge you to live in a manner worthy of the call you have received,
with all humility and gentleness, with patience, bearing with one another through love,
striving to preserve the unity of the spirit through the bond of peace:
*one body and one Spirit, as you were also called to the one hope of your call;
one Lord, one faith, one baptism;
one God and Father of all, who is over all and through all and in all.
Ephesians 4: 1-6

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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