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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Julie Huebner · January 22, 2026

My Ode to Kevin Allen

I was privileged to meet Mr. Allen in 2024. He was kind, humble, and gracefully dealt with a brand new music director asking him questions.

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Jeff Ostrowski · January 20, 2026

PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices

The children’s choir I direct loves singing Kevin Allen’s music … as does our adult choir!

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Corpus Christi Watershed · January 20, 2026

Choose Carefully!

You can only choose one…

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Jeff Ostrowski · January 19, 2026

Active Participation • “Participatio Actuosa”

“The faithful should also be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

Jeff Ostrowski · January 19, 2026

“New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

Mother to five children, Myrna earned two doctorates (as did her husband), teaches at the seminary, runs a parish music program, and serves on the OCP board of directors.

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Jeff Ostrowski · January 18, 2026

Fulton J. Sheen • “24-Hour Catechism”

(3 of 50) “God in Search of Man”

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Corpus Christi Watershed · January 17, 2026

“Information Requested About Hymnals”

The following message was sent to us by a reader…

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Jeff Ostrowski · January 15, 2026

“Sacred Music Journal” Editor Sings w/ Our Choir

How do you pronounce the word “heav’n” when you sing?

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Jeff Ostrowski · January 13, 2026

PDF • “Dr. Adrian Fortescue: Priest & Musician”

“No one was ever (outwardly) less priestly; no one was ever (inwardly) more thoroughly a priest.” —Edith Cowell

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Keven Smith · January 13, 2026

Can This Weird Warmup Put Your Voice in Good Placement?

I didn’t even mean for it to be a vocal warmup, but it worked perfectly.

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Follow the Discussion on Facebook

Jeff Ostrowski · January 12, 2026

PDF Download • “Outrageously Rare” Feder Missal (Latin, French, & English) — 3,290 pages!

A gift to our readers, presented in super-high resolution.

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Jeff Ostrowski · January 11, 2026

Fulton J. Sheen • “24-Hour Catechism”

(2 of 50) “Conscience”

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Jeff Ostrowski · January 9, 2026

Comm. Fauxbourdon • “What does it sound like?”

Remember the days you prayed for what you have now!

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Jeff Ostrowski · January 9, 2026

“Ad Te Levavi” • Variant

This particular variant hints at “tone painting.”

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Daniel Marshall · January 8, 2026

Now That You’re Shunning Bad Hymns … Stop Announcing Them!

“When we announce hymn numbers, we’re not facilitating participation—we’re disrupting it.” —Daniel Marshall

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Corpus Christi Watershed

President’s Corner

    Music List • (29th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC which I created for this coming Sunday, the 29th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. The INTROIT for this Sunday explains why this Sunday is called “Apple Sunday.” As we approach the end of the liturgical year, most of the INTROITS seem to be in Mode III or Mode IV, which are ‘haunting’ tones.
    —Jeff Ostrowski
    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

Recent Posts

  • PDF Chart (33,344 words) • “Graduale Romanum”—Spanish, English: Multiple Approved Translations
  • Music List • (29th Sund. Ordinary Time)
  • Ordinary of the Mass (Spanish Settings) for Organ + Congregation • “We’ve Had Success With These”
  • PDF Download • “Hymns We Have Used” (306 Entries) – Including an 11-Page Chart
  • “All Saints Hymn” • Containing a Polyphonic Section

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