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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Corpus Christi Watershed · May 9, 2022

Quote: “A weekend our choir will not soon forget!”

St. Mary’s: “Our singers experienced an incredible weekend working with Mr. Kevin Allen, the world-renowned composer.”

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Dr. Charles Weaver · May 7, 2022

A Curious Rhythmic Detail in Tomorrow’s Jubilus

Occasionally the Solesmes rhythmic markings are surprising, as in one of tomorrow’s alleluias. Can we make sense of this?

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Jeff Ostrowski · May 7, 2022

“Yes or No?” • Thoughts On Singing The Creed

If his choir sounds terrible, why would you trust his advice?

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Corpus Christi Watershed · May 3, 2022

“Repertoire Page” • Sacred Music Symposium 2022

Sign up today! A few voice parts still have openings.

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Jeff Ostrowski · April 30, 2022

A “Dirty” Word (For Musicians)

Around the year 1955, “transcription” became a dirty word.

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Jeff Ostrowski · April 23, 2022

Choir Directors • “Is It Worth The Struggle?”

The choir director’s vocation is chock-full of difficulties.

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Jeff Ostrowski · April 18, 2022

{ Next Year! } • Somber Kyrie Settings For Lent

Corpus Christi Watershed has provided rehearsal videos to assist choir members who do not read music well.

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Jeff Ostrowski · April 13, 2022

Kevin Allen’s “Dómine Convértere” Sung At Saint Peter’s Basilica (Vatican City)

The Vatican’s choir sounds beautiful these days—no longer is it “the scandal of Christendom.”

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Jeff Ostrowski · April 11, 2022

PDF Download • SATB “Refrain” for Good Friday

Is it “traditional” to receive Holy Communion on Good Friday?

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Jeff Ostrowski · April 7, 2022

“Schizophrenia” • Pius XII Annihilated Tenebræ

I know of no author who has attempted to reconcile, explain, or justify the (obviously contradictory) “schizophrenia flaw.”

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Andrea Leal · April 6, 2022

PDF Download • “Regina Caeli for 3 Voices”

I never shared this before because pride and perfectionism held me back.

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Jeff Ostrowski · April 6, 2022

“Victimæ Paschali Laudes” • Nineteen (19) Organ Accompaniments

Including a remarkable musical setting by Father Adrian Fortescue (d. 1923).

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Richard J. Clark · April 4, 2022

It is time. Sacred Song and the Kingdom of God

The small efforts we make become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many.

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Jeff Ostrowski · April 2, 2022

“Hymn To Saint Joseph” • (Rec. 4/2/2022)

Certainly the only “Eucharistic” hymn to Saint Joseph I know!

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Jeff Ostrowski · April 1, 2022

Gregorian Chant • “Its True & Authentic Rhythm”

For this coming Sunday (Passion Sunday), there’s only one “MMV” singers must observe—and I placed a little arrow above it.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”

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