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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · January 28, 2025

Breaking! • “Cardinal Roche Vs. Bishop Paprocki” (Development on 23 Jan. 2025)

On 23 January 2025, Arthur Cardinal Roche attempted (?) to overrule the Vatican’s “Committee on Canonical Affairs.”

Corpus Christi Watershed · January 27, 2025

Photograph • Mass at Dachau Concentration Camp

Is that a tiny pipe organ?

Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

Jeff Ostrowski · January 25, 2025

“What Are the Urbanite Hymns?” (4-Page PDF)

“No one who knows anything about the subject now doubts that that revision of Urban VIII was a ghastly mistake, for which there is not one single word of any kind to be said.” —Father Adrian Fortescue

Corpus Christi Watershed · January 24, 2025

Reader Feedback • Re: “Simplified” Organ Music

I’ve lived through various pendulum swings: the “Glory and Praise” phase; the “hymn sandwich” phase; and the “baroque tracker organ” phase.

Dr. Charles Weaver · January 23, 2025

My Recent Conversation • “Chant Rhythm”

This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.

Corpus Christi Watershed · January 23, 2025

“How To Prepare A Talk” • Bishop Fulton J. Sheen

A television broadcast from the 1960s.

Jeff Ostrowski · January 22, 2025

“Remembering William Mahrt” • My interview with Dr. Horst Buchholz (21 January 2025)

Includes Dr. Buchholz’s obituary for William Mahrt: “A Gentleman, a Scholar, and a Friend”

Jeff Ostrowski · January 22, 2025

PDF Download • “Pipe Organ Recessional” (Manuals Only) — George Frederick Handel

I have a confession to make…

Jeff Ostrowski · January 21, 2025

PDF Download • Singers’ Wedding Booklet (28 Pages)

I don’t pretend to have an answer to this question.

Veronica Moreno · January 20, 2025

A Full Choir in FSSP-Caen

A choir member visits the FSSP in Normandy, France and is overjoyed to hear the full choir raining down chant and polyphony throughout the Church building. She recommends Sunday Mass if you’re on pilgrimage.

Julie Huebner · January 19, 2025

PDF Download • “Small Choirs, Unite!” (2nd Part)

This is definitely a piece worth bringing out for choirs of all sizes!

Jeff Ostrowski · January 14, 2025

PDF Download • “Rare Hymnal” (1966) by Monsignor Hayburn and Others — 632 Pages!

In 1979, Monsignor Robert F. Hayburn published an important book called: “Papal Legislation on Sacred Music.”

Jeff Ostrowski · January 14, 2025

Was “Ordinary Time” Found in the 1962 Missal?

The answer might surprise you!

Corpus Christi Watershed · January 13, 2025

“What A Choral Conductor Must Know” • Interview with Dr. John Paul Johnson

Dr. John Paul Johnson—a frequent guest conductor at Carnegie Hall—served as a conductor-in-residence at the Trinity College of Music (London).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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