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Including a ‘live’ recording of the Church’s oldest Latin Eucharistic Hymn, which comes from a 7th-century Irish manuscript.
Including a splendid harmonization of “Holy God, We Praise Thy Name.”
The soul-stirring hymn used on ASCENSION THURSDAY at Vespers—and also used on the Sunday which follows the Ascension—was called in the 7th century: “Jesu Nostra Redemptio.” After 1631AD, the title of that hymn was changed to “Salutis Humanae Sator.” The melody assigned by the Vatican Commission on Gregorian Chant is rather mournful (and very difficult […]
That changed last week!
Here is a ‘live’ recording from the Mass on Ascension Thursday (2024): Hymn for the Ascension. I could not be prouder of this parish choir, which consists 100% of volunteers. To learn more about this hymn, please visit #704 in the hymn portal. I have argued that—in addition to CARMEN GREGORIANUM, organ music, and polyphony—hymns […]
A simplified keyboard accompaniment for pianists struggling to be organists.
Some of them became “obsessed” with this SATB arrangement—𝑎𝑛𝑑 𝑡ℎ𝑎𝑡’𝑠 𝑜𝑘𝑎𝑦!
Diekmann believed all the saints over the last 1,200 years—as well as the fathers of Vatican II—were dead wrong about the liturgy.
There is no excerpt because this is a protected post.
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Including a hymn suitable for a Catholic wedding (“Nuptial Mass”).
With a digression on Cardinal Antonelli and the feast of “Saint Joseph the Artisan” (1 May).
Upon hearing this special rendition of the ancient Roman Catholic hymn for Eastertide known as “Ad Régias Agni Dapes” several readers requested the score. You may now download the PDF Score (4 pages) completely free of charge. [Rehearsal videos for each individual part are waiting for you at #33013.] For the record, prior to 1632AD […]
I wouldn’t argue if somebody made the claim that Sebastian Bach was “the most musical person who ever lived.”
According to Monsignor Franz Stemmer, the famous hymn “Praise to the Lord” originally came from the 𝘚𝘵𝘳𝘢𝘭𝘴𝘶𝘯𝘥 𝘎𝘦𝘴𝘢𝘯𝘨𝘣𝘶𝘤𝘩 (1665).
