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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 10, 2024

“For The First Time” • Our Choir Sings In Spanish!

That changed last week!

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Jeff Ostrowski · May 10, 2024

Hymn for the Ascension

Here is a ‘live’ recording from the Mass on Ascension Thursday (2024): Hymn for the Ascension. I could not be prouder of this parish choir, which consists 100% of volunteers. To learn more about this hymn, please visit #704 in the hymn portal. I have argued that—in addition to CARMEN GREGORIANUM, organ music, and polyphony—hymns […]

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Jeff Ostrowski · May 10, 2024

“Praise To The Lord” • Simple Accomp.

A simplified keyboard accompaniment for pianists struggling to be organists.

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Jeff Ostrowski · May 10, 2024

“Yes or No?” • Should We Give People the Sacred Music They Ardently Crave?

Some of them became “obsessed” with this SATB arrangement—𝑎𝑛𝑑 𝑡ℎ𝑎𝑡’𝑠 𝑜𝑘𝑎𝑦!

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Jeff Ostrowski · May 6, 2024

A Wonderful Woman Eviscerates The Argument Of An Infamous Liturgical Radical

Diekmann believed all the saints over the last 1,200 years—as well as the fathers of Vatican II—were dead wrong about the liturgy.

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Jeff Ostrowski · May 6, 2024

Protected: Don’t Share • “Cantoral del Padre Antonio Daniel”

There is no excerpt because this is a protected post.

Jeff Ostrowski · May 5, 2024

MONTH OF MAY • “Reminder”

Each day, I speak via telephone to folks who have supported Corpus Christi Watershed for years. Many of them don’t know about our email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. Thank you!

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Jeff Ostrowski · May 3, 2024

“The English Mozart” • Who Was That?

Including a hymn suitable for a Catholic wedding (“Nuptial Mass”).

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Jeff Ostrowski · May 3, 2024

Anglican Ordinariate: “A Hymn For Saint Joseph”

With a digression on Cardinal Antonelli and the feast of “Saint Joseph the Artisan” (1 May).

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Jeff Ostrowski · May 2, 2024

PDF Download • “Ad Regias” Hymn

Upon hearing this special rendition of the ancient Roman Catholic hymn for Eastertide known as “Ad Régias Agni Dapes” several readers requested the score. You may now download the PDF Score (4 pages) completely free of charge. [Rehearsal videos for each individual part are waiting for you at #33013.] For the record, prior to 1632AD […]

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Jeff Ostrowski · May 2, 2024

Singing Bach At Mass? • “Yes! Yes! Yes!”

I wouldn’t argue if somebody made the claim that Sebastian Bach was “the most musical person who ever lived.”

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Jeff Ostrowski · April 29, 2024

PDF Download • Simplified Accompaniment for the famous Hymn: “Praise To The Lord”

According to Monsignor Franz Stemmer, the famous hymn “Praise to the Lord” originally came from the 𝘚𝘵𝘳𝘢𝘭𝘴𝘶𝘯𝘥 𝘎𝘦𝘴𝘢𝘯𝘨𝘣𝘶𝘤𝘩 (1665).

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Jeff Ostrowski · April 29, 2024

Organ Accompaniment Booklet (20 pages)

This coming Sunday in the Extraordinary Form will be the Fifth Sunday after Easter. Each week, everyone can freely visit this page, downloading such booklets (as it were) directly from the source. Nevertheless, I’d like to draw your attention to the ORGAN ACCOMPANIMENT BOOKLET (20 pages) for Vespers in the Extraordinary Form: Dominica V Post […]

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Jeff Ostrowski · April 25, 2024

Random Psalm Tone! • (1962 Weddings)

I believe it’s better to sing a Psalm Tone with excellence rather than attempt the authentic CARMEN GREGORIANUM (Gregorian Chant) in a plodding, lifeless, poorly-executed way. To that end, I have created this Fifth Mode Psalm Tone version for the COMMUNION CHANT assigned to 1962 Missal weddings. The Nuptial Mass is sometimes called “Pro Sponso […]

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Jeff Ostrowski · April 25, 2024

Update (25 April) • “Forthcoming Spanish Hymnal”

“When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations.” —Father Adrian Fortescue

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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