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Views from the Choir Loft

President's Corner

Jeff Ostrowski · August 7, 2026

Eucharistic Prayer No. 2 on Sundays?

Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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Jeff Ostrowski · August 5, 2026

Knox. Has. No. Equal.

Its final verse is the famous “O Salutaris Hostia.”

Jeff Ostrowski · August 3, 2026

Proportionalist Plainchant • (Documented)

This document shows a “mensuralist” approach to Gregorian Chant.

Jeff Ostrowski · August 1, 2026

Garnier Alleluias • “Have They Moved?”

We received an email asking whether the “Garnier Gospel Acclamations website” has…

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Jeff Ostrowski · July 29, 2026

Absolutely ‘Perfect’ Voice-Leading?

This brief passage seems (in my humble opinion) to be a delightful specimen.

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Jeff Ostrowski · July 23, 2026

Calling Dr. Weaver!

A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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Jeff Ostrowski · July 19, 2026

SLANE • “Simplified” Keyboard Arr.

Do you know ‘SLANE’ the hymn tune?

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Jeff Ostrowski · July 16, 2026

Insane Baroque-Era Dissonance!

There is no more dissonant chord than this in the entire Baroque era!

Jeff Ostrowski · July 10, 2026

“Reminder” — Month of July (2026)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · June 25, 2026

Music List • (15th Sund. Ordinary Time)

Readers have expressed interest in examining my “music list” for Sunday (12 July 2026).

Jeff Ostrowski · June 23, 2026

Shortest Psalm In The Bible

The Germans did something splendid here!

Jeff Ostrowski · June 20, 2026

Oldest Latin Eucharistic Hymn

A Spanish version; please listen and let us know your thoughts!

Jeff Ostrowski · June 19, 2026

Rare Plainsong Accompaniments

Some consider these 3-part accompaniments to be the rarest in the world.

Jeff Ostrowski · June 15, 2026

“Hidden Chant” • For the Ordinary Form

Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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Jeff Ostrowski · June 10, 2026

“Citation Needed” • Dom Foote of ICEL

Father Basil Foote, OSB, served on the Music Sub-Committee of the “International Commission on English in the Liturgy” (ICEL).

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?
    May the SECOND EUCHARISTIC PRAYER be used on Sundays? Highlighted in yellow (on this single-page PDF file) is documentation concerning whether it may be chosen on Sundays. In the late 1960s, Eucharistic Prayer No. 2 was assembled based on a text believed (by some) to be an early form of the Canon. The priest who created Eucharistic Prayer No. 2—hastily assembling it while sitting in an Italian restaurant—came to regret his role in the liturgical reforms. His name was FATHER LOUIS BOUYER (a close personal friend of Pope Saint Paul VI), and he later admitted his team had little chance of success because their goal was to “recast from top to bottom—and in a few months!—an entire liturgy that had required twenty centuries to develop.” No bishop who participated in Vatican II thought the ROMAN CANON would ever be prayed in the vernacular (much less eliminated), which we have documented a zillion times on this blog. Someday, all this must be set right! ✠
    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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