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As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.
The hubris on the part of OCP is breathtaking.
Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!
Today, we release the congregational “Lamb of God” with SATB polyphonic extension.
“I find Anerio’s work here to be excellent, and I hope you do as well.” —Dr. Charles Weaver
Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!
Sometimes you win and sometimes you learn!
Confirmed: Full archives of “Triumph” (a 1960s Roman Catholic magazine) are available online!
Here’s a technique you must try with your choir.
Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.
Should music at the Ordinary Form be identical to music at the Extraordinary Form?
Church musicians ought not proceed in a frenzied, panic-stricken manner.
We must avoid placing our website behind a paywall.
You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”
Years ago, I struggled with being a “people pleaser.” (That means saying whatever will please the person standing in front of you.)
