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Corpus Christi Watershed

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · October 25, 2023

Now Available Online! • 1959 “Organ Accompaniment Book” (233 Pages)

“Occasionally, the English texts for some of the hymns are almost barbaric artistically…” —𝐷𝑜𝑚𝑖𝑛𝑖𝑐𝑎𝑛𝑎 𝐽𝑜𝑢𝑟𝑛𝑎𝑙 (1960)

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Jeff Ostrowski · October 16, 2023

“Breathtaking!” • Hymn for the Souls in Purgatory

“Raising the pitch for the final verse.” (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

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Dr. Charles Weaver · October 5, 2023

PDF Dissertation • “Dom Mocquereau and Music Theory” (282 Pages)

My thesis on how Dom Mocquereau relates to other theories of musical rhythm is now available for download.

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Jeff Ostrowski · October 4, 2023

PDF Download • “Congregational Booklet” (Printable) for Jeff’s New Mass Setting

A congregational booklet requested by Mr. Seth Bauer.

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Jeff Ostrowski · October 3, 2023

“Must Hymns Always Rhyme?” • (With Examples)

Non-rhyming hymns are certainly a strong temptation since they’re so much easier to compose.

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Jeff Ostrowski · September 30, 2023

Eight (8) Responsorial Psalm Options • On turning Missalettes into little “gods”

They have embraced a certain opinion about matters and will never change—not even on their deathbed.

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Jeff Ostrowski · September 26, 2023

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

My Mass setting for the Ordinary Form involves your Congregation, your Cantrix, and your Choir.

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Dr. Alfred Calabrese · September 23, 2023

PDF Download • “Kyrie for the Ordinary Form in Honor of Saint Thomas More”

A month of William Byrd … in Dallas, Texas!

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Jeff Ostrowski · September 20, 2023

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

My setting begins with the entire congregation singing—but the middle section is SATB polyphony.

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Jeff Ostrowski · September 19, 2023

(Quiz) • “How Well Do You Know Your Hymns?”

Including a tip on preventing choirs from ‘sinking’ the pitch lower and lower.

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Jeff Ostrowski · September 13, 2023

Eucharistic Hymn by the Archbishop of Canterbury

Using a favorite melody of Dr. Theodore Marier.

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Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

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Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

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Jeff Ostrowski · August 23, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

We must remember the lesson of the rock.

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Jeff Ostrowski · August 22, 2023

PDF Download • “Our Father” (SATB Version)

Today, I release another movement of the “Saint Noël Chabanel Mass Setting” (for use in the Ordinary Form).

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

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