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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Not Schmaltzy” • An Ancient Christmas Hymn

Jeff Ostrowski · December 22, 2023

ATHER VALENTINE used to say: De gustibus non est disputandum. “In matters of taste, let there be no dispute.” For example, he didn’t like the Lemmensinstituut accompaniments—which should come as no surprise since he studied under the John de Deo Oldegeering, OFM, a legendary plainsong instructor who followed the Mocquereau-Bragers school. I try not emphasize my opinions unduly on this blog. That’s a quick way to make lifelong enemies. For example, I consider the hymn tune “SANDON” to be just dreadful—but should I dwell on that? Surely it’s better to emphasize the positive.

Christmas Carols • Speaking of opinions, there are certain Christmas carols I find so “sentimental” or “schmaltzy” or “gooey” or “saccharine” that—in my personal opinion—they don’t belong at the Holy Sacrifice of the Mass. One that comes to mind immediately: O Little town of Bethlehem. I realize others will disagree. Contrariwise, an ancient Christmas hymn that’s robust is Christe Redemptor Omnium (whose title was changed in 1631AD to Jesu Redemptor Omnium). Do you agree the English translation by Robert Campbell of Skerrington is fabulous?

Just look how faithful Campbell was to the original:

*  PDF Download • COMPARISON CHART
—Literal translation Vs. a poetic translation by Robert Campbell of Skerrington.

To access this hymn’s media in the Brébeuf Portal, click here.

English Primers • The Brébeuf Catholic Hymnal printed ancient translations from ENGLISH PRIMERS. I’m talking about Roman Catholic translations into English from the 1500s—which were intended for singing—of ancient Latin hymns. (The Brébeuf editors found explicit proof that these translations were intended to be sung, not just read.) We don’t have permission to reprint them on this blog, but let me just assure you they’re endlessly fascinating:

Robert Campbell + Saint Augustine:

Not every translation by Robert Campbell 1 is literal. Consider Campbell’s famous version of Ad Cenam Agni Providi (“At the Lamb’s high feast we sing”). It’s not really a translation. Rather, Campbell uses the original text as a springboard for his own thoughts. Consider “after the crossing of the red sea.” Campbell relates this “red sea” to the blood and water that flowed from Christ’s side on the cross, so crossing the red sea now means being washed by the blood and water from the Heart of Jesus. Indeed, Saint Augustine (Enn. in Ps. CXXXVIII) says: Ex latere Domini dormientis, id est, in passione morientis, et in cruce percusso de lancea, manaverunt sacramenta, quibus formaretur Ecclesia. (“From the side of the Lord sleeping, that is, dying in his passion, and pierced by a spear on the cross, flowed the sacraments whereby the Church would be formed.”) For the record, Corpus Christi Watershed is named in honor of “water shed” from the Heart of Christ.

To access this hymn’s media in the Brébeuf Portal, click here.

1 According to a footnote in the Brébeuf Catholic Hymnal, Robert Campbell of Skerrington converted to the True Faith in 1852.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christe Redemptor Omnium Xmas, Jesu Redemptor Omnium, Robert Campbell of Skerrington Last Updated: December 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

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