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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Hymn by the Archbishop of Canterbury

Jeff Ostrowski · September 13, 2023

ONEST. Be honest when I ask you this question: “How many of your parishioners could recite from memory even a simple prayer like Tantum Ergo in English?” Can you? Here is my attempt (without looking at any book): “Bowing low, therefore, let us adore so great a Sacrament. The old law yields to the new rite. And if our human understanding is deficient, a lively faith will make up for what’s lacking.” How did I do? I hope I was basically correct. You can compare my attempt to this literal translation by Monsignor Charles E. Spence.1

Combating Heresy • Floating around even today is the false notion that we should not adore JESUS CHRIST at Mass. As a matter of fact, adoration is hugely important at Mass. From what I can tell, the heresy began in the post-conciliar years. For example, the AMERICAN CATHOLIC HYMNBOOK (1992) included injunctions such as (direct quotations):

(1) “Hymns directed to the Trinity as such or to each person successively should not be used”;
(2) “The Mass is not primarily a time for silence and adoration of Christ”;
(3) “Holy Father is a good Communion hymn precisely because it is not in adoration of Christ.”

The editors brag that their “translation” of ADÓRO TE DEVÓTE completely changes the meaning of the original. Indeed, on page 655, the editors say Tantum Ergo should never (!) be used at Mass! In the post-conciliar years, some also emphasized the “banquet” aspect of Mass while downplaying (or even denying) the reality that Mass is primarily a sacrifice.

Archbishop of Canterbury • Before England fell away in 1534AD, it had a vigorous and vibrant intellectual life which supported the Holy Catholic Faith. John Peckham (d. 1292) was a Franciscan friar and Archbishop of Canterbury starting in 1279AD. He was such a powerful philosopher and theologian that he actually beat Saint Thomas Aquinas in a Paris debate (at least according to one priest I spoke to). The Brébeuf Catholic Hymnal provided—for the first time in history—a literal English translation of Archbishop Peckham’s magnificent and lengthy hymn to the Holy Eucharist. The Brébeuf Hymnal also provides numerous musical settings for it, as well as various “singable” translations by Catholic priests and bishops. Here is a short excerpt of what is without question one of the Church’s mightiest treatises on the SANCTISSIMUM:

*  PDF Download • EXCERPT (Archbishop Peckham’s Eucharistic Hymn)
—The entire hymn is translated in The Saint Jean de Brébeuf Hymnal.

Last Sunday, our volunteer choir attempted the “singable” translation created by Monsignor Ronald Knox:

To access this hymn’s media in the Brébeuf Portal, click here.

Theodore Marier • The tune is wonderful, and was used at least three times by Dr. Theodore Marier in his hymnal: Pages 310, 401, and 217. Our choir will eventually sing that piece in Latin, but it’s still needs a little work. We use that same tune when we sing the “Ave Maris Stella” in English:

To access this hymn’s media in the Brébeuf Portal, click here.

Indeed, the Brébeuf Hymnal includes several other texts with that same melody, as you can discover by doing a search on the HYMN PORTAL for “Ave Virgo Virginum.”

Still Learning • Another hymn we’re learning is REGENT SQUARE. At present, we’re singing that melody in unison with organ accompaniment (see below) but we plan on learning the SATB harmonies found in the Brébeuf Hymnal, which are particularly resplendent.

To access this hymn’s media in the Brébeuf Portal, click here.

Music Is Crucial • To be completely honest, I don’t know whether I could have successfully completed the “challenge” presented at the beginning of this article were it not for music. Singing things over and over again helps me remember and understand them. The whole idea behind the Brébeuf Hymnal is to imitate Father John Brébeuf and his companions, who cleverly placed the various truths of the Faith into songs and rhymes (in the languages of the Native Americans). Anyone who has read about these holy Jesuit missionaries realizes how much they suffered in order to learn the native tongues. The Huron language was particularly difficult, because the sounds emanated from one’s stomach. For someone like Father Noël Chabanel, it was a particular cross not to be able to learn that language (without great difficulty) because he had been a college professor in France whose specialty was rhetoric and poetry.

1 A splendid literal translation into English can also be found on page 347 of the Brébeuf Catholic Hymnal. Indeed, the entire prayer (“Pange Lingua”) by Saint Thomas Aquinas can we found there, as well as numerous musical versions and excellent “singable” (metrical and rhymed) translations by Catholic priests and Bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Monsignor Charles E Spence, Monsignor Ronald Knox Traditional Mass, Tantum Ergo Sacramentum Last Updated: September 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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