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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking!” • Hymn for the Souls in Purgatory

Jeff Ostrowski · October 16, 2023

O INTO YOUR local supermarket, bus station, coffee shop, gymnasium, or university and ask people to name a popular song for THANKSGIVING (celebrated on November’s fourth Thursday in these United States). The Christmas holiday has no shortage of songs and carols, but I guarantee not one person will be able to name a popular song for the Thanksgiving holiday. Indeed, an enterprising composer could make a killing by writing a good Thanksgiving song.

Missing A Song? • But what about the feast of ALL SOULS on 2 November? How many Catholics could name a hymn for that feast day? The Brébeuf Catholic Hymnal has several excellent hymns for November 2nd, including one by Cardinal Newman. Today, I will share with you a particularly sublime example which I believe ought to be better known:

To access this hymn’s media in the Brébeuf Portal, click here.

*  PDF COMPARISON • “De Profundis Exclamantes” (Chart)
—“De Profundis Exclamantes” • a literal English translation.

Raising The Pitch? • I’ve written hundreds of articles over the years. The time is ripe to pursue a better way of organizing them. Therefore, I’ve decided to begin a new section of the website called: Tricks of the Conscientious Choirmaster. If you watch the video (above) you’ll notice I transposed the choir into a higher key (towards the end) by means of an organ improvisation. This practice can be quite effective, so I wanted to draw attention to it.

Second Technique • Apropos of “Tricks of the Conscientious Choirmaster,” I have emphasized that the importance of musical diversity cannot be overstated. I direct a choir consisting of about 35 volunteer singers. Hymns are but one ‘arrow’ in our quiver. To demonstrate what I’m talking about, below are three excerpts of what we sang last Sunday:

(a) Spanish Renaissance Polyphony (SATB):

*  Mp3 Download • “Gloria” by Father Guerrero

(b) Accompanied Plainsong:

*  Mp3 Download • “Credo IV” (Alternatim)

(c) Soloists Singing Vs. Entire Choir:

*  Mp3 Download • William Byrd “Benedictus”

Third Technique • I have also attempted to underscore the importance of “modal mixture” when it comes to choosing repertoire. What do I mean by this? Well, the GLORIA and SANCTUS above are both in a “minor” mode. It seemed appropriate, therefore, to juxtapose those with a bright & happy hymn we sang during Holy Communion (alternating between organ and SATB, to add more variety):

To access this hymn’s media in the Brébeuf Portal, click here.

The CREDO (above), is also in a “minor” mode, and uses modal harmonies. Therefore, that was juxtaposed against a bright & happy hymn which uses Common Practice Era tonality. I really believe it’s worth purchasing the Brébeuf Hymnal just for this harmonization of REGENT SQUARE, which positively shimmers with beauty:

To access this hymn’s media in the Brébeuf Portal, click here.

Finally, the very first hymn I shared (“De Profundis Exclamantes”) was also in a “minor” mode, although the Brébeuf Hymnal offers several other tunes as well. Therefore, it seemed wise to juxtapose it against the following hymn to the Blessed Virgin Mary—remembering that October is dedicated to the Holy Rosary—which employs a bright & happy modality:

To access this hymn’s media in the Brébeuf Portal, click here.

“Death” by Monsignor Ronald Knox
Strange, and perhaps humiliating, that our memories of the lately dead should be so much preoccupied with the little tricks of personality, the jokes, the prejudices, the poses of the living man we knew; that they should reach so little to the inner heart of him, to the secret springs of character and of motive which God alone sees, which alone God judges … we would like to distil, if we could, some essential fragrance from the character of the departed which should inform our gratitude for his friendship and inspire, a little, our own lives from his memory. […]
We have all got so accustomed to a mental atmosphere in which everything is graded; one thing differs from another in degree, rather than in kind. There is no absolute standard about our human criticisms, no black and white, only shades of grey … But there is one nasty bump waiting for all of us, death; there are no shades or gradations about that.

Article Summary • In today’s article, I share what I consider to be an exquisite Hymn for the Souls in Purgatory. I also discuss several tips for “succeeding” with the choral program in your parish. If you appreciate articles like this—finding them to be helpful or inspiring—please let a friend of yours know about Corpus Christi Watershed. The only way we can continue is by good people like you spreading the word about our organization and what we’re trying to accomplish.

Quick Digression • One thing I’ve always hated is blog authors who constantly say things like: (1) “As I predicted…” (2) “As I have been telling you for years…” (3) “I knew about such-and-such before anyone else…” (4) etc. etc. etc. In today’s article, I made reference to certain suggestions I’ve made in the past. I tried to eliminate the wording that I hate—but doing so did violence to the article’s flow. Therefore, I ended up leaving in some of the dreaded “I” phrases, and for this I apologize.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: De Profundis Exclamantes Audi, HYMN for SOULS in PURGATORY, Regent Square Hymn, Tricks of Conscientious Choirmaster Last Updated: February 6, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

Recent Posts

  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”

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