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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Breathtaking!” • Hymn for the Souls in Purgatory

Jeff Ostrowski · October 16, 2023

O INTO YOUR local supermarket, bus station, coffee shop, gymnasium, or university and ask people to name a popular song for THANKSGIVING (celebrated on November’s fourth Thursday in these United States). The Christmas holiday has no shortage of songs and carols, but I guarantee not one person will be able to name a popular song for the Thanksgiving holiday. Indeed, an enterprising composer could make a killing by writing a good Thanksgiving song.

Missing A Song? • But what about the feast of ALL SOULS on 2 November? How many Catholics could name a hymn for that feast day? The Brébeuf Catholic Hymnal has several excellent hymns for November 2nd, including one by Cardinal Newman. Today, I will share with you a particularly sublime example which I believe ought to be better known:

To access this hymn’s media in the Brébeuf Portal, click here.

*  PDF COMPARISON • “De Profundis Exclamantes” (Chart)
—“De Profundis Exclamantes” • a literal English translation.

Raising The Pitch? • I’ve written hundreds of articles over the years. The time is ripe to pursue a better way of organizing them. Therefore, I’ve decided to begin a new section of the website called: Tricks of the Conscientious Choirmaster. If you watch the video (above) you’ll notice I transposed the choir into a higher key (towards the end) by means of an organ improvisation. This practice can be quite effective, so I wanted to draw attention to it.

Second Technique • Apropos of “Tricks of the Conscientious Choirmaster,” I have emphasized that the importance of musical diversity cannot be overstated. I direct a choir consisting of about 35 volunteer singers. Hymns are but one ‘arrow’ in our quiver. To demonstrate what I’m talking about, below are three excerpts of what we sang last Sunday:

(a) Spanish Renaissance Polyphony (SATB):

*  Mp3 Download • “Gloria” by Father Guerrero

(b) Accompanied Plainsong:

*  Mp3 Download • “Credo IV” (Alternatim)

(c) Soloists Singing Vs. Entire Choir:

*  Mp3 Download • William Byrd “Benedictus”

Third Technique • I have also attempted to underscore the importance of “modal mixture” when it comes to choosing repertoire. What do I mean by this? Well, the GLORIA and SANCTUS above are both in a “minor” mode. It seemed appropriate, therefore, to juxtapose those with a bright & happy hymn we sang during Holy Communion (alternating between organ and SATB, to add more variety):

To access this hymn’s media in the Brébeuf Portal, click here.

The CREDO (above), is also in a “minor” mode, and uses modal harmonies. Therefore, that was juxtaposed against a bright & happy hymn which uses Common Practice Era tonality. I really believe it’s worth purchasing the Brébeuf Hymnal just for this harmonization of REGENT SQUARE, which positively shimmers with beauty:

To access this hymn’s media in the Brébeuf Portal, click here.

Finally, the very first hymn I shared (“De Profundis Exclamantes”) was also in a “minor” mode, although the Brébeuf Hymnal offers several other tunes as well. Therefore, it seemed wise to juxtapose it against the following hymn to the Blessed Virgin Mary—remembering that October is dedicated to the Holy Rosary—which employs a bright & happy modality:

To access this hymn’s media in the Brébeuf Portal, click here.

“Death” by Monsignor Ronald Knox
Strange, and perhaps humiliating, that our memories of the lately dead should be so much preoccupied with the little tricks of personality, the jokes, the prejudices, the poses of the living man we knew; that they should reach so little to the inner heart of him, to the secret springs of character and of motive which God alone sees, which alone God judges … we would like to distil, if we could, some essential fragrance from the character of the departed which should inform our gratitude for his friendship and inspire, a little, our own lives from his memory. […]
We have all got so accustomed to a mental atmosphere in which everything is graded; one thing differs from another in degree, rather than in kind. There is no absolute standard about our human criticisms, no black and white, only shades of grey … But there is one nasty bump waiting for all of us, death; there are no shades or gradations about that.

Article Summary • In today’s article, I share what I consider to be an exquisite Hymn for the Souls in Purgatory. I also discuss several tips for “succeeding” with the choral program in your parish. If you appreciate articles like this—finding them to be helpful or inspiring—please let a friend of yours know about Corpus Christi Watershed. The only way we can continue is by good people like you spreading the word about our organization and what we’re trying to accomplish.

Quick Digression • One thing I’ve always hated is blog authors who constantly say things like: (1) “As I predicted…” (2) “As I have been telling you for years…” (3) “I knew about such-and-such before anyone else…” (4) etc. etc. etc. In today’s article, I made reference to certain suggestions I’ve made in the past. I tried to eliminate the wording that I hate—but doing so did violence to the article’s flow. Therefore, I ended up leaving in some of the dreaded “I” phrases, and for this I apologize.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: De Profundis Exclamantes Audi, HYMN for SOULS in PURGATORY, Regent Square Hymn, Tricks of Conscientious Choirmaster Last Updated: November 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

  • “Musicam Sacram” (5 March 1967) • Does It Apply?
  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”

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