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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · December 7, 2025

“Alma Redemptóris Mater” • Everything There Is To Know About This Marian Antiphon

Including a new harmonization for the pipe organ.

Corpus Christi Watershed · December 5, 2025

(5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music

“In the liturgy, in particular, singing is never a ‘soundtrack’, a simple backdrop, but is intended to lift the soul…” —Pope Leo XIV

Mark Haas · December 3, 2025

PDF Downloads • 5 Simple Palestrina Pieces

A collection of Palestrina works that are not only stunningly beautiful but also surprisingly accessible.

Dr. Alfred Calabrese · December 2, 2025

Dr. Alfred Calabrese • “My Invitation To You”

EWTN will broadcast the Mass later on that same evening.

Jeff Ostrowski · December 1, 2025

PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)

It’s hard to banish that round once it enters your ears!

Guest Author · November 27, 2025

“Sacred Music Pilgrimage to Italy” with Grace Feltoe

Including a tour of the Pontifical Institute of Sacred Music with Father Robert Mehlhart, OP.

Jeff Ostrowski · November 25, 2025

Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Growing up, I remember hearing this adage…

Jeff Ostrowski · November 25, 2025

A Quote Worth Reading

From a mother of 11 children whose brother-in-law is a Catholic priest.

Jeff Ostrowski · November 24, 2025

PDF Download • ‘Choral Extension’ for the Sanctus (especially useful in the Ordinary Form)

It’d be easier to accept if they admitted they were explicitly contradicting Vatican II … but instead, they lied egregiously.

Mark Haas · November 20, 2025

Kid’s Repertoire • 3 Recommendations (Mark Haas)

“My children’s choir absolutely loves this piece.”

Daniel Marshall · November 18, 2025

Veni Emmanuel: An Argument for the Anglican Rhythm

The bells ring, the opening hymn rises from the organ, and you hear that haunting melody every Catholic recognizes: O come, O come, Emmanuel.

Jeff Ostrowski · November 18, 2025

PDF Download • “Hymn for Christ the King”

“Catholic parishes are slow to change their habits. They still sing what the oldest members learned at school.” —Evelyn Waugh

Jeff Ostrowski · November 16, 2025

PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)

I know of no greater commentary on the psalms. Its author—an erudite Dominican priest—founded the famous “Homiletic and Pastoral Review.”

Jeff Ostrowski · November 10, 2025

Re: The People’s Mass Book (1974)

“A Man Can Kill With a Gun, a Bomb, or a Lance…”

Veronica Moreno · November 10, 2025

They did a terrible thing

When the windows were opened, men like Father Franquesa found cracks to do terrible things to sacred music.

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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