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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 7, 2025

New “Latin/English Missal” for the Novus Ordo

This English/Latin missal is being created by several priests and seminarians.

Jeff Ostrowski · July 5, 2025

Bishop François Charrière Vs. Hannibal Bugnini

Bugnini felt his modifications were “desired by all.”

Mark Haas · July 4, 2025

“My First Year with the Latin Mass” • A Music Director’s Perspective

“Assisting at the Traditional Latin Mass has changed me.” —Mark Haas

Corpus Christi Watershed · July 4, 2025

Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

As of 4 July 2025, Bishop Reed’s post on Twitter had received 188,800 views.

Jeff Ostrowski · July 2, 2025

Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

Including a group photograph of Sacred Music Symposium 2025.

Jeff Ostrowski · June 30, 2025

(Rehearsal Clips) • Sacred Music Symposium 2025

Even if I live a hundred years, I’ll never forget last week’s conference!

Keven Smith · June 25, 2025

Hidden Gem: Ascendit Deus (Dalitz)

Save this delightful Ascension motet for next spring. It’s well within reach for even beginning choirs.

Jeff Ostrowski · June 22, 2025

PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

There’s something thrilling about soprano descants!

Jeff Ostrowski · June 19, 2025

“Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

A few days ago, Dominique Gatté released something quite extraordinary.

Corpus Christi Watershed · June 18, 2025

Pope Leo XIV pays tribute to Palestrina

“Palestrina500” at the Vatican, with Pope Leo XIV.

Jeff Ostrowski · June 18, 2025

PDF Download • Palestrina’s “Ave Maria”

Including rehearsal videos.

Jeff Ostrowski · June 17, 2025

PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)

We feel this conference will be one for the history books!

Jeff Ostrowski · June 12, 2025

PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)

Jeff Ostrowski’s attempt to harmonize the most well-known of all Gregorian chants.

Cynthia Ostrowski · June 11, 2025

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Artificial intelligence will never replace authentic polyphony.

Corrinne May · June 9, 2025

PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III

I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong.

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Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

Recent Posts

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  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)

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