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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Children’s Repertoire: “3 Recommendations”

Andrea Leal · September 15, 2025

N MY CAPACITY as a volunteer choir director, I have trained several crops of young singers. While I cannot claim to have advanced scholarly knowledge of music and choirs, I possess real, first-hand knowledge of what it is like to train a choir of children. I firmly believe children make the best choristers, because of their quick ability to learn, to say nothing of their curiosity and interest in new things. Below are my top repertoire recommendations for easy, attainable hymns. Some are SATB, which can be used to combine your treble voices with your main choir. Scroll down to read about what to expect when training a children’s choir.

(1)

*  PDF Download • Easy Polyphony (SATB)

(2)

*  PDF Download • Easy Chant for Beginners
—The LEMMENSINSTITUUT provided this organ accompaniment.

(3)

*  PDF Download • Easy 2-part hymn for treble voices

Rehearsal Setup: •  Rehearsals for a children’s choir can be once or twice a week for 30 to 60 minutes and up to 90 minutes for teens, without breaks. It depends on the ages of the kids, but teens can go much longer than 5 year olds. I do not recommend starting kids younger than reading age. My minimum requirement is that the child be an emergent reader, even if they are not reading fluently yet. But if they can read “cat” and “dog”, that is good enough for me. The age of the children will determine how quickly they will be ready to sing at Mass. Assuming a once a week 60-minute rehearsal, this is how long it might take to prepare kids of different ages to sing at Mass.

Ages 5-9: It can take months to prepare young children to sing even one song, especially if your standards are high, but they can do it. Plan on once-a-week rehearsals for at least 3 months before they are ready to sing an entire hymn alone. I do not let them sing at Mass until it actually sounds passably good. Singing at Mass isn’t about giving cute little kids a chance to show off. It must support the sacredness of the Mass, and if they are not singing cohesively and in tune, it is a distraction. Another factor that will affect how quickly they will be ready to sing is whether the music is in English or Latin. It will take longer if the hymn is in Latin. For this age range, a 30-45 minute rehearsal is long enough. There is much foundational information to cover with the littles, that is why it will take longer to prepare them. There is a lot they do not know yet because they are so young. It will also take more time if the music is in Latin because you must cover pronunciation and meaning. You may want to first attempt just teaching them a short refrain so they can get started singing quickly. Older kids can sing the verses, and littles can join in just on the refrain. If all the kids you accept can already read words at a basic level, you will be at an advantage.

Ages 10-14: These kids will learn a lot faster. They can conceivably be ready to sing several new chant hymns within four to six weeks. Some of them may have already had music lessons, and there will be a little less foundational instruction needed. But don’t feel bad if it takes longer than that. Every group is different, and the individual musical aptitude of the kids will be a factor.

Ages 15+: The older the kids are, the faster they catch on. This group could conceivably be ready to sing with just a handful of rehearsals, especially if they already have had exposure to reading music, which many kids these days do have. If they have been attending traditional Masses, then they will already be familiar with some of the repertoire you introduce. The ideal chorister, in my opinion, is an older teen – they learn quickly, can develop a real passion for sacred music at this age, and have beautiful, light voices.

Special Note on Discipline in a Children’s Choir

Never, under any circumstances, should the kids be allowed to personally correct each other. For example, one singer turns to another and says, “You are singing out of tune!” Or, “That isn’t the way the song goes!” This will foment self-consciousness on the part of the corrected singer, bad feelings among the pupils, and a desire to leave the choir. Correction only comes from you, the director. At most, you might ask the kids to point something out for the sake of the learning process. But no personal criticism or correction should be allowed. Middle school aged children, especially girls, will be most sensitive to this criticism. I know this from experience.

While singing should be a lot of fun, there are ways to create a fun environment without sacrificing focus. How you want to create the fun is up to you, if you so choose to take that approach. The interactions should be primarily between you and the children and less so between the children themselves unless a game is involved. There may be some chatting and laughing permitted, but most of the focus should be on you and your instruction. Commentary from the kids should be kept to a bare minimum and corrected immediately.

In my children’s choirs I never really made up games or tried to make it fun. I have always exacted from my young singers a lot of hard work, focus and much repetition of even just a few notes. This repetition is necessary. While it may not be the definition of “fun”, the children quickly find the achievement to be its own reward. There are some things that are more valuable to children than “fun”, as you will discover. They are thrilled by the accomplishment and it will keep them coming back week after week. And you, as the director, will very quickly begin to see the fruits of your labor. Enjoy the process!

Final Treat:

Very fun arrangement to sing (SATB with organ): O God Beyond All Praising, Ausburg Choral Hymn Series • This one is not free, it is about $2.75 per copy—but well worth it because it’s ever so much fun to sing! It has a wonderful Alleluia section that is an absolute delight and not difficult to sing. Below is my choir rehearsing it before the wedding of one of our altos. Children can sing together on the soprano and alto lines:

Here’s the direct URL link.

Note: It’s very helpful to have assistance with conducting your choir sometimes. In this clip, singer and music teacher Analí Rosales is conducting.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Children Repertoire Recommendations Last Updated: November 20, 2025

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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