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Views from the Choir Loft

Articles

Veronica Moreno · May 5, 2024

Time for Another RESUCITÓ, Canta Con Júbilo

Perhaps it is time to have another “Resucitó” for our Spanish-speaking Catholics…

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Veronica Moreno · May 5, 2024

Es tiempo para otro RESUCITÓ, Canta Con Júbilo

Quizá podemos tener más de un “Resucitó”. Compartimos una canción pascual con un refrán hermoso y versos como este: “Brille tu lámpara, brille con fuerza tu llama / Cesen tus lágrimas al contemplar su mirada.” ¡No se la pierdan!

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Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

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Jeff Ostrowski · May 3, 2024

“The English Mozart” • Who Was That?

Including a hymn suitable for a Catholic wedding (“Nuptial Mass”).

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Jeff Ostrowski · May 3, 2024

Anglican Ordinariate: “A Hymn For Saint Joseph”

With a digression on Cardinal Antonelli and the feast of “Saint Joseph the Artisan” (1 May).

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Jeff Ostrowski · May 2, 2024

Singing Bach At Mass? • “Yes! Yes! Yes!”

I wouldn’t argue if somebody made the claim that Sebastian Bach was “the most musical person who ever lived.”

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Dr. Lucas Tappan · May 1, 2024

A Note to Piano Teachers of Beginning Students

“What follows are a few tricks that have greatly aided students with me from a young age…” —Dr. Tappan

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Jeff Ostrowski · April 29, 2024

PDF Download • Simplified Accompaniment for the famous Hymn: “Praise To The Lord”

According to Monsignor Franz Stemmer, the famous hymn “Praise to the Lord” originally came from the 𝘚𝘵𝘳𝘢𝘭𝘴𝘶𝘯𝘥 𝘎𝘦𝘴𝘢𝘯𝘨𝘣𝘶𝘤𝘩 (1665).

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Corpus Christi Watershed · April 29, 2024

“Reader Feedback” • 29 April 2024

“No musician in our parish (and probably our archdiocese) is paid, despite the many hours we put in.” —Charlotte M.

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Jeff Ostrowski · April 25, 2024

Update (25 April) • “Forthcoming Spanish Hymnal”

“When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations.” —Father Adrian Fortescue

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Jeff Ostrowski · April 24, 2024

Three Easter Hymns Sung Three Different Ways!

There was deep division in Chicago between those who cheered for the Cubs and those who cheered for the White Sox.

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Dr. Lucas Tappan · April 23, 2024

The Catholic Academy of Sacred Music (Kansas)

I can affirm that our first concert was a resounding success: everything from Allegri’s 𝑀𝑖𝑠𝑒𝑟𝑒𝑟𝑒 to the 10-year-old boy playing Bach.

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Corpus Christi Watershed · April 22, 2024

Fundraiser Update From CCW President

“I’m a newly ordained priest. In seminary, we constantly used stuff from your website to help us learn things.” —College Station, Texas

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Veronica Moreno · April 22, 2024

¡Anuncio! • “Nuevo Himnario en Español”

Todavía no hemos escogido un título para nuestra colección.

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Jeff Ostrowski · April 21, 2024

Near “Occasions” of Sin, Forgiveness, Psalms, Hymns, and the Artistic Temperament

Rachmaninoff never forgave Prokofiev for this, as anyone with a melancholic temperament will understand.

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Corpus Christi Watershed

President’s Corner

    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • “Reprehensible Rhymes” • (1955 Hymnal)
  • 70% Moonshine? • Jeff Responds to a Dissertation-Length Article on Gregorian Chant
  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray

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