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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 22, 2024

“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments

This version by Father Adrian Fortescue is fascinating!

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Jeff Ostrowski · March 22, 2024

“Reprehensible Chrism Mass” • (Do Not Click)

A disturbing video sent to us from the Diocese of Superior (Wisconsin).

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Jeff Ostrowski · March 19, 2024

Church Music • “The Female Voice”

Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

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Dr. Charles Weaver · March 16, 2024

Response to Jeff: Rhythmic Signs Again

I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.

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Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

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Corpus Christi Watershed · March 15, 2024

Dr. Alfred Calabrese Conducts In Boston Cathedral

“To Richard Clark, music director of the Cathedral of the Holy Cross in Boston, few sounds are as joyful to hear as over 100 children singing in unison…”

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Jeff Ostrowski · March 12, 2024

PDF Download • Lenten Hymn + SATB Refrain

Professor Bouyer later admitted (in his memoirs) that his team of liturgical reformers had been doomed from the start, since their goal was “recasting from top to bottom—𝘢𝘯𝘥 𝘪𝘯 𝘢 𝘧𝘦𝘸 𝘮𝘰𝘯𝘵𝘩𝘴!—an entire liturgy which had required twenty centuries to develop.”

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Jeff Ostrowski · March 11, 2024

“Response to Dr. Weaver” • 11 March 2024

“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger

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Jeff Ostrowski · March 9, 2024

“Church Music Job” • Salary Between $50k – $70k

“I believe any dedicated choirmaster would love to team up with a pastor like this one!” —Jeff Ostrowski

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Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

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Jeff Ostrowski · March 8, 2024

Introit • “Laetare Jerusalem” (4th Sunday of Lent)

Sung according to the official rhythm of the Catholic Church.

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Jeff Ostrowski · March 8, 2024

Ronald Reagan: “My Greatest Dread”

Excerpt (60 seconds) from an interview done in 1985 by the “Reader’s Digest” magazine.

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Jeff Ostrowski · March 7, 2024

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

How dare I broach such a subject?

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Guest Author · March 6, 2024

Saint Paul’s Choir School • “My Reflections”

Saint Paul’s Choir School is the only all boys Catholic choir school in the nation.

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Corpus Christi Watershed · March 5, 2024

(5 March 2024) • Interview with Diana Corliss

In this interview, Diana speaks about (among other things) the “Colorado Sacred Music Conference.”

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Corpus Christi Watershed

President’s Corner

    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)
  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026

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