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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Message From Mr. Roderick Royce!

Corpus Christi Watershed · January 21, 2024

R. RODERICK ROYCE graduated from BOISE STATE UNIVERSITY (Idaho) with a bachelor’s degree in music education. He has sung in multiple choirs through the years, including the Cathedral of Saint John the Evangelist (Roman Catholic) under Dr. Ray Morvant. He has taught orchestra for about thirteen years. Mr. Royce recently sent the following message vis-à-vis Jeff Ostrowski’s seminar: “Secrets of the Conscientious Choirmaster”.

Jeff Ostrowski is a choirmaster based in Los Angeles, California. He and a group of individuals have created the Corpus Christi Watershed website to supply musicians with musical resources for Catholic choirs. Ostrowski’s latest resource is a seminar: Secrets of the Conscientious Choirmaster. The seminar is focused on choral music (motets, hymns, Mass settings, and so forth) useful to those who provide music at the Extraordinary Form (“Latin Mass”) or at the Ordinary Form (“Novus Ordo Missae”). Ostrowski introduces techniques and tools to help choirmasters improve as musicians and fall in love with the art of learning choral music all over again. Various items are treated: singing liturgical pieces of Catholic Music in Latin (including polyphonic pieces); Gregorian Chant, which is written in different modes; video recordings; and printable sheet music. Ostrowski teaches the choirmaster to better direct anybody—from an ‘average’ parishioner to the veteran choir member—how to sing hymnody in SATB parts and contrapuntal lines in polyphonic masterworks. He explains how to ‘build up’ the individual to add to the strength of the choir. He also encourages choirs to pray before rehearsals to strengthen their Catholic faith. Ostrowski has a “just do it” mentality. He patiently shows how to ‘speak’ and use Solfège on the most inspiring and difficult polyphonic pieces. Specimens he examines would include fugues and masterworks using imitative polyphony by Palestrina, Victoria, Guerrero, Croft, Morley, Lassus, and Josquin. After watching his seminar, I am more prepared to spend rehearsal time wisely, communicate effectively, and apply the tools he has taught me to help improve choir members.

You can watch the 57-minute INTRODUCTION to “Secrets of the Conscientious Choirmaster” completely free of charge by visiting https://ccwatershed.org/seminar/.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 21, 2024

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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