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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Corrinne May · September 9, 2024

“A Coming Together of My Two Choral Worlds…”

Readers might get some ‘programming ideas’ from the list of pieces we sang.

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Jeff Ostrowski · September 6, 2024

“Spanish Entrance Hymn” • (You Might Enjoy This)

Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”

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Jeff Ostrowski · August 30, 2024

Repository • “Spanish Order of Music” (Sainte Marie)

I’ve been creating these for our Spanish Masses. They aren’t perfect—but I’ve also seen worse.

Jeff Ostrowski · August 30, 2024

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

The NAB tried to use “overly casual” language—and the results are often an abomination.

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Jeff Ostrowski · August 28, 2024

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

The various options given here by the official 1970 Missal can be used during the week (or on any Sunday).

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Jeff Ostrowski · August 27, 2024

When Teaching a Polyphony for the First Time, Use This Three-Voice Piece

The Solfège has already been added, and we made magnificent rehearsal videos for you!

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Corpus Christi Watershed · August 27, 2024

Corrinne May Conducts At “Totus Tuus”

“Please pray for me and the choir. May Our Lady be better known and loved.” —Corrinne May

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Corpus Christi Watershed · August 24, 2024

1950s Seminary Film

Thirty-six minutes of beauty!

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William J. Fritz · August 23, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

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Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

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Andrea Leal · August 22, 2024

PDF • “Organ Interludes” (Manuals Only) — 104 Pages

Including Dom Gregory Murray, Flor Peeters, Jacques Lemmens, John Lee, C. H. Rinck, Dom Alphege Shebbeare, Oreste Ravanello, Louis Niedermeyer, Eugène Gigout, Luigi Bottazzo, Johann Sebastian Bach, and many others.

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Corpus Christi Watershed · August 21, 2024

Famous Italian Actor Regrets Aborting Son

“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato

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Jeff Ostrowski · August 20, 2024

“The Very Best 42 Seconds of Gregorian Chant”

Fulton J. Sheen, Saint John Mary Vianney, and more!

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Jeff Ostrowski · August 19, 2024

Must This Be Accompanied?

The age-old question—will it ever be resolved?

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Adam Raha · August 17, 2024

Fathers Must Turn Their Hearts To Their Children

I don’t necessarily mean children with no dad. I mean “absent” fathers.

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Corpus Christi Watershed

President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL

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