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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 9, 2025

“Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?

Many have asked: “Without getting fired, how can choirmasters introduce polyphony to the Ordinary Form?”

Corpus Christi Watershed · September 8, 2025

“The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)

“If you think the subject of ‘Traditionis Custodes’ was absent during my visits to the Vatican, you are mistaken…” —Sławomir Cenckiewicz

Jeff Ostrowski · September 7, 2025

PDF Download • Croft’s “Canonic Kyrie” (SATB)

The conscientious choirmaster never rests from his relentless pursuit of repertoire ideas.

Jeff Ostrowski · September 5, 2025

Weird Liturgical Kalendar …

“For the pastoral good of the faithful, it is permitted to observe on Sundays in Ordinary Time…”

Mark Haas · September 5, 2025

Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!

To call any form of liturgical singing “chant” is to obscure the meaning the Church has always attributed to Gregorian chant.

Jeff Ostrowski · September 5, 2025

Catholic College (2025) Sings Vespers in SATB

Are any readers capable of identifying this Catholic college?

Jeff Ostrowski · September 2, 2025

PDF Download • “Full, Conscious, & Active Participation” (12-page pamphlet)

During my research, I discovered three previously-unseen photographs of Hannibal Bugnini (taken in November of 1979).

Veronica Brandt · August 31, 2025

Online Breviary With Chant

Breviarium Gregorianum takes all the work out of assembling the music for singing the Divine Office.

Guest Author · August 30, 2025

Installment #6 • “Serious Problems with the Lectionary Translation”

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Guest Author · August 28, 2025

Installment #5 • “Serious Problems with the Lectionary Translation”

Executive Director (emeritus) of ICEL weighs in on our series.

Jeff Ostrowski · August 26, 2025

Brave Schola Director Posts ‘Live’ Recording

In the case of one gentleman, this was only the 2nd time in his life he’s sung in a choir!

Mark Haas · August 26, 2025

“Cracker Barrel & Catholicism” • Logos and Lessons

“A restaurant’s niche—just like a Church’s patrimony—draws people in not by blending with the generic, but by standing apart.”

Jeff Ostrowski · August 25, 2025

“Reform of the Reform” officially embraced by USCCB

As to whether this matters … who can say?

Corpus Christi Watershed · August 22, 2025

Father Chris Smith Celebrates 20 Years as a Priest

We believe our readers will recognize the polyphonic Mass setting chosen.

Guest Author · August 21, 2025

“Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music

Simple chants (sung well) save souls.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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