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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 5, 2025

Catholic College (2025) Sings Vespers in SATB

Are any readers capable of identifying this Catholic college?

Jeff Ostrowski · September 2, 2025

PDF Download • “Full, Conscious, & Active Participation” (12-page pamphlet)

During my research, I discovered three previously-unseen photographs of Hannibal Bugnini (taken in November of 1979).

Veronica Brandt · August 31, 2025

Online Breviary With Chant

Breviarium Gregorianum takes all the work out of assembling the music for singing the Divine Office.

Guest Author · August 30, 2025

Installment #6 • “Serious Problems with the Lectionary Translation”

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Guest Author · August 28, 2025

Installment #5 • “Serious Problems with the Lectionary Translation”

Executive Director (emeritus) of ICEL weighs in on our series.

Jeff Ostrowski · August 26, 2025

Brave Schola Director Posts ‘Live’ Recording

In the case of one gentleman, this was only the 2nd time in his life he’s sung in a choir!

Mark Haas · August 26, 2025

“Cracker Barrel & Catholicism” • Logos and Lessons

“A restaurant’s niche—just like a Church’s patrimony—draws people in not by blending with the generic, but by standing apart.”

Jeff Ostrowski · August 25, 2025

“Reform of the Reform” officially embraced by USCCB

As to whether this matters … who can say?

Corpus Christi Watershed · August 22, 2025

Father Chris Smith Celebrates 20 Years as a Priest

We believe our readers will recognize the polyphonic Mass setting chosen.

Guest Author · August 21, 2025

“Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music

Simple chants (sung well) save souls.

Veronica Brandt · August 20, 2025

Gregorian Chant Academy Free Workshop

A polished, relaxed introduction to Gregorian chant from a dad trained at Norcia.

Follow the Discussion on Facebook

Jeff Ostrowski · August 20, 2025

Cardinal Heenan Speaks About Monsignor Knox

“He was perhaps the greatest figure in the Church of the twentieth century.” —Cardinal Heenan, Archbishop of Westminster

Mark Haas · August 19, 2025

An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)

“There is a sacred calling for those of us who compose and arrange music for the Church.”

Jeff Ostrowski · August 18, 2025

Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

One of the rarest (and most valuable) treasures our organization has ever made available.

Guest Author · August 16, 2025

Installment #4 • “Serious Problems with the Lectionary Translation”

Jeffrey Tucker: “USCCB deserves scorn for maintaining strict copyright over liturgical texts.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

Recent Posts

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  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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