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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 10, 2018

Janet Hunt and Music of the Pipe Organ • “On a Sacred Note”

Catholic TV focuses on the indispensable role of the pipe organ with Janet Hunt.

Richard J. Clark · August 3, 2018

Scogna and Olbash talk Gregorian Chant • “On a Sacred Note”

Who doesn’t like to talk about Gregorian Chant?

Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

Richard J. Clark · June 1, 2018

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

“My wish is that our viewers will walk into Sunday Mass with a new attentiveness…” — Stephanie Scogna

Richard J. Clark · May 4, 2018

“Priests of God, bless the Lord!” • Practice Video

“Sacerdotes Dei” — Introit for the Ordination of Priests

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

Richard J. Clark · March 16, 2018

Eight Lessons • “Make Musicians Love Working With You”

Good-hearted musicians amplify success musically, economically, and spiritually.

Richard J. Clark · March 2, 2018

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

“He is in every way a composer of Bach’s stature and accomplishment both technically and expressively.” ~ Scott Metcalfe

Richard J. Clark · January 19, 2018

Two Choral Works and Propers for Lent

Chant-based works for Lent

Richard J. Clark · January 12, 2018

Msgr. Michael F. Groden’s Contribution to Sacred Music

Quite curiously, the first full-time employee this developer and builder hired as pastor was a musician. A musician? Really? Yes.

Richard J. Clark · December 15, 2017

Discouragement and Hope

Despite such a bleak picture, so many musicians remain faithful and loyal servants of the Church. This is hope.

Richard J. Clark · December 1, 2017

I’ve made this an essential part of concert preparation.

I’m embarrassed to say, I feel I have only discovered this necessity recently.

Richard J. Clark · November 24, 2017

Unapologetically Roman Catholic in New York City

They open the doors to people of all faiths and backgrounds. But they will celebrate the Eucharist, Adore the Blessed Sacrament, and administer the sacraments boldly out on the open for all to witness and experience.

Richard J. Clark · October 27, 2017

A Requiem on All Souls Day at St. Patrick’s Cathedral

This work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

Recent Posts

  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This

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