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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 10, 2018

Janet Hunt and Music of the Pipe Organ • “On a Sacred Note”

Catholic TV focuses on the indispensable role of the pipe organ with Janet Hunt.

Richard J. Clark · August 3, 2018

Scogna and Olbash talk Gregorian Chant • “On a Sacred Note”

Who doesn’t like to talk about Gregorian Chant?

Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

Richard J. Clark · June 1, 2018

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

“My wish is that our viewers will walk into Sunday Mass with a new attentiveness…” — Stephanie Scogna

Richard J. Clark · May 4, 2018

“Priests of God, bless the Lord!” • Practice Video

“Sacerdotes Dei” — Introit for the Ordination of Priests

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

Richard J. Clark · March 16, 2018

Eight Lessons • “Make Musicians Love Working With You”

Good-hearted musicians amplify success musically, economically, and spiritually.

Richard J. Clark · March 2, 2018

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

“He is in every way a composer of Bach’s stature and accomplishment both technically and expressively.” ~ Scott Metcalfe

Richard J. Clark · January 19, 2018

Two Choral Works and Propers for Lent

Chant-based works for Lent

Richard J. Clark · January 12, 2018

Msgr. Michael F. Groden’s Contribution to Sacred Music

Quite curiously, the first full-time employee this developer and builder hired as pastor was a musician. A musician? Really? Yes.

Richard J. Clark · December 15, 2017

Discouragement and Hope

Despite such a bleak picture, so many musicians remain faithful and loyal servants of the Church. This is hope.

Richard J. Clark · December 1, 2017

I’ve made this an essential part of concert preparation.

I’m embarrassed to say, I feel I have only discovered this necessity recently.

Richard J. Clark · November 24, 2017

Unapologetically Roman Catholic in New York City

They open the doors to people of all faiths and backgrounds. But they will celebrate the Eucharist, Adore the Blessed Sacrament, and administer the sacraments boldly out on the open for all to witness and experience.

Richard J. Clark · October 27, 2017

A Requiem on All Souls Day at St. Patrick’s Cathedral

This work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Eucharistic Prayer II, on account of its particular features, is more appropriately used on weekdays or in special circumstances.”

— §365 from the “General Instruction for the Roman Missal”

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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