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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

“Priests of God, bless the Lord!” • Practice Video

Richard J. Clark · May 4, 2018

ITH MANY ordinations taking place this time of year, it is a blessed time for the entire Church.

The Introit chant for the ordination of priests from the Graduale Romanum is Sacerdotes Dei, benedicite (Mode VI). It is a beautiful way to begin the long procession of ordinandi and priests, perhaps followed up by a hymn and organ improvisation. (It doesn’t get any more fun that that.)

Below is a practice video with the Gregorian notation, which may be useful for Diocesan choirs that include additional amateur singers. This was recorded at the 2017 Presbyteral Ordination for the Archdiocese of Boston (audio was taken from the video feed—forgive the initial fade in). You’ll note the Alleluias are included which are sung during the Easter Season.

The text is a beautiful prayer for for all and for the ordinandi:

Daniel 3: 84, 8 • Priests of God, bless the Lord, praise the Lord all who are holy and humble of heart. Alleluia. Ps V 57: Bless the Lord, all you works of the Lord, praise and exalt him above all forever.

      * *  DOWNLOAD Sacerdotes Dei, benedicite • Gregorian notation

      * *  DOWNLOAD Sacerdotes Dei, benedicite • Modern notation

I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement, especially in a relatively dry acoustic. Marc Demille beautifully intoned the verses:


Please pray for all ordinandi! What we do is not simply “important” music for an “important” Mass. This is a day that the newly ordained will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation, and as such shape the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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