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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 6, 2025

Watch David Poon Defeat Jeff in His Own “Hymn Challenge” — Re: The English Method

Bonus! Six (6) of my favorite Lenten hymns.

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Jeff Ostrowski · March 5, 2025

“You who dwell in the shelter of the Lord…”

I’m not sure I know another feast like the 1st Sunday of Lent.

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Jeff Ostrowski · March 4, 2025

“Entrance Chant” • 1st Sunday of Lent

This English adaptation uses mode 8, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · March 1, 2025

“Music List” • 8th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · February 28, 2025

Communion • 8th Sunday Ord. Time

This communion is particularly beautiful.

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Jeff Ostrowski · February 28, 2025

Re: “Abuse of Catholic Church Musicians”

Listening to yourself singing isn’t fun—but it’s crucial if you wish to improve.

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Jeff Ostrowski · February 26, 2025

“Entrance Chant” • 8th Sunday (Ord. Time)

This English adaptation uses mode 1, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · February 26, 2025

Did These Public Statements by Father Gelineau Cross the Threshold From Folly to Sin?

Archbishop Sheen said famously: “Freedom is a word much abused.”

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Jeff Ostrowski · February 24, 2025

A Statement That Still Fills Me With Rage

A choir isn’t some sort of fancy “add-on.”

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Jeff Ostrowski · February 24, 2025

“Ash Wednesday” • Banned after 93,000 Views!

It would be difficult to imagine “sacred music” more disturbing than this.

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Jeff Ostrowski · February 23, 2025

“Attendance Policy” • For Volunteer Catholic Choirs

There’s no application fee this year—so you have nothing to lose!

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Jeff Ostrowski · February 20, 2025

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

“One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” —Pope Saint Paul VI

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Jeff Ostrowski · February 18, 2025

PDF Download • “Chabanel Tones”

This PDF file contains the various tones—including organ accompaniment—used for the Chabanel Psalter.

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Jeff Ostrowski · February 18, 2025

“Theology of Worship” • Msgr. Robert Skeris (1998)

Mother Angelica asks Monsignor Skeris why liturgical music must be sacred.

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Jeff Ostrowski · February 18, 2025

“Reform of the Reform” • Is It Dead or Alive?

In spite of what some claim, the “Reform of the Reform” isn’t dead.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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