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Views from the Choir Loft

“Our Trials” • Choirmaster Crosses

Jeff Ostrowski · April 14, 2025

ROM ONE PERSPECTIVE, it’s amazing that Catholics living in our times complain about anything. Very few kings throughout history could have dreamt of the luxury we possess: the comforts, the conveniences, the gadgets. We have modern medicine; penicillin and anesthesia; electricity; modern plumbing; telephones; airplanes; air-conditioning; computers with internet access; and so on. Most of us have never gone hungry—not even for a single day.

Mental Trauma • On the other hand, the conscientious choirmaster will experience certain “tribulations” or “trials” or “burdens” that can only be understood by other choir directors. A large percentage of these afflictions are mental (though some are physical). There’s no need to enumerate them; anyone who’s worked as a choir director will know what I’m talking about. But today I would like to briefly point out three types:

(a) abuse and disrespect—often from one’s employer;
(b) defamation and calumny—often from jealous colleagues;
(c) betrayal—often from someone we’ve shown kindness to.

Alcoholic • Monsignor Robert Skeris once told me that because it’s such a challenging vocation many church musicians end up addicted to alcohol. (I don’t drink, so that option isn’t available to me.) How can the stinging pain from our vocation be alleviated? How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Friendship • In my opinion, the conscientious choirmaster must have friends who are colleagues. Talking with friends—“pouring one’s heart out”—can help alleviate the trauma. An added “bonus” of conferences such as the symposium often turns out to be friendships made while in attendance.

Corrinne May • I am blessed to have wonderful friends who are also colleagues. One of them is Corrinne May, who’s agreed to serve on the faculty of this year’s Sacred Music Symposium. She recently posted this clip on her instagram account:

Great Sounding Choir • Can you imagine having that gorgeous choral sound? And yet, Corrinne recruited all those members in a very short time! Even though Corrinne lives all the way on the other side of the ocean in Singapore, I felt “connected” when I saw that clip because we sang that same hymn yesterday, during one of our PALM SUNDAY MASSES. This particular Mass was packed—there literally wasn’t one seat left in the entire church:

To access this hymn’s media in the Brébeuf Portal, click here.

Mental Battles • Many of the battles we face are internal (i.e. mental). There are too many possibilities to mention, and some are quite “subtle.” For instance, an artist will be asked to create something—but then, the person who asked for the favor will keep nitpicking and nitpicking and nitpicking. This is very hurtful to an artist, but people who lack maturity won’t realize it. My own battles usually involve trying to follow God’s Will on a daily basis. For instance, I’ve often commented that people who claim to “hate” the 1962 Holy Week and “love” the 1950 Holy Week frequently don’t know the difference between them. Certain Catholic ‘influencers’ (who claim to be experts on the sacred liturgy) frequently publish grotesquely inaccurate articles. Indeed, this morning I was alerted to such an article, riddled with basic errors and misunderstandings. For reasons I don’t fully understand, observing falsehoods about the sacred liturgy causes me anguish.

I admit that I was tempted to publish an article refuting the errors. But doing so would have been sinful—because what good could result? All the information has been out there for years. Indeed, the SAINT EDMUND CAMPION MISSAL published by Sophia Institute Press enumerates the differences and similarities between both versions of Holy Week. Those who genuinely wish to learn can simply pick up a copy. Again I ask: What possible good could result from my publishing a refutation? That’s not how God wants me to spend my time and energy. When we die, we will be held accountable for how we spent every moment of our life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Robert Alexander Skeris Last Updated: April 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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