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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Simple English Propers” • Error this Sunday?

Jeff Ostrowski · April 27, 2025

N THE VERY FIRST document ratified by the Second Vatican Council, we find the following mandate (SACROSANCTUM CONCILIUM, §23): “There must be no innovations unless the good of the Church genuinely and certainly requires them.” But during the season of Easter, the 1970 kalendar made an insanely confusing change: the numbers are all mixed up. For instance, in the traditional kalendar, this coming Sunday—27 April 2025,1 with the familiar “Quasi modo” INTROIT—is referred to as the 1st Sunday after Easter. But in the 1970 kalendar, this coming Sunday—27 April 2025, with the familiar “Quasi modo” INTROIT—is referred to as the 2nd Sunday of Easter. This confusion lasts all throughout Eastertide. For instance, next Sunday (4 May 2025) in the traditional kalendar is the Second Sunday after Easter. But in the 1970 kalendar, next Sunday (4 May 2025) is referred to as the Third Sunday of Easter. In the traditional kalendar, 11 May 2025 is the Third Sunday after Easter. But in the 1970 kalendar, 11 May 2025 is called “The Fourth Sunday of Easter.”

Did the good of the Church
“genuinely and certainly”
require this confusing change?

“SEP” Error • In light of all the changes, it’s not surprising errors crept in. I believe I may have found an error in the Simple English Propers (CMAA, 2011). Specifically, the ENTRANCE CHANT for this coming Sunday,1 which uses the wrong psalm:

The correct psalm is PSALM 80: “Exsultáte Deo adjutóri nostro; jubiláte Deo Jacob.”

I have no idea how this “typo” or “mistake” or “error” crept in. Perhaps there’s a reason they didn’t use PSALM 80—but that’s what been used for centuries. It’s also what’s assigned by the Ordo Cantus Missae (1970) as well as the 1974 GRADUALE ROMANUM:

If anyone can explain this, I’m all ears.

Addendum • Getting back to my initial theme … as far as I can tell, the traditional naming of the Sundays after Easter goes back many centuries. Below is an excerpt from 1066nimes|1066, a manuscript that was (perhaps) created sometime around the year 1066AD:

Vatican II said: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” What specifically was “deficient” about the traditional naming system? Were millions of Catholics begging the pope to change it? This seems like yet another example of change for the sake of change.

What specifically changed in the year 1970 that made such tinkering necessary? How was the Catholic Church able to produce so many amazing and inspiring saints (for so many centuries) before that change was made? It seems like the ancient Christians got along just fine with the traditional naming system… Would Saint John Bosco have been a better saint if he’d experienced the new naming system? How about Saint Francis of Assisi? How about Saint Isaac Jogues? What about Bernadette Soubirous? What about Saint Andrew Bobola? They all seem to have been just fine.

One final time I ask: Did the good of the Church “genuinely and certainly require” that the 5th Sunday after Easter be changed to the 6th Sunday of Easter?

1 This Sunday has many names: (a) Low Sunday; (b) “Dominica in Albis” or White Sunday; (c) Octave Day of Easter; (d) Divine Mercy Sunday; (e) Quasi Modo Sunday; etc.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dominica in Albis, Low Sunday, Quasi Modo Introit, SEP Simple English Propers CMAA Last Updated: April 28, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

Recent Posts

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  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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