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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 28, 2020

Goal Met • Why We’re Grateful To Our Readers

The pop-up has been taken down…plus, a small gift to our readers!

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Jeff Ostrowski · July 23, 2020

PDF Download • “Holy Week and Easter with Gregorian Chant” (797 pages)

Supremely rare Belgian book with Gregorian Chant!

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Jeff Ostrowski · July 22, 2020

22 July 2020 • Five Recent Messages

We are asking our readers to give $5.00 per month (or even $3.00 per month) so we can keep our website online. Here are five recent messages from donors: (#1) Your site is a Godsend. It must continue. I am a church mouse but I can afford $5 a month. Let’s help keep the beautiful […]

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Jeff Ostrowski · July 22, 2020

21 July 2020 • From a Musicology PhD…

To you and your colleagues who helped produce the Brébeuf hymnal, I wanted to drop a line to say “bravo.” I just got a copy and immediately ordered the choral supplement (I ought to have just gotten it in the first place). What an achievement this book is! This is the sort of hymnal one […]

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Jeff Ostrowski · July 21, 2020

“Pope Pius XII Psalter” • How different was it?

If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.

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Jeff Ostrowski · July 17, 2020

PDF Download • “Label Your Luggage”

Religious instruction from Fr. Robert Nash, SJ. (1943 Imprimatur)

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Jeff Ostrowski · July 14, 2020

PDF Download • “Saint Edmund Arrowsmith Mass”

The fourth installment—“Mass settings that work well, even with a single cantor + organist.”

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Jeff Ostrowski · July 14, 2020

Wonderful emails received recently…

(#1) “Thank you for all the great work you do to provide music and rehearsal videos for all of us to use! It has been invaluable to those music and choir directors who’ve had to build a Gregorian chant schola from scratch! May God continue to bless all you do to promote sacred music for […]

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Jeff Ostrowski · July 13, 2020

1,055 Images • “Paramentica Liturgical Design”

When we pray from a book which is special, beautiful, and dignified, it helps us focus.

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Jeff Ostrowski · July 12, 2020

Honesty and Integrity

Someone who made a generous donation wrote as follows: While I sometimes strongly disagree with the content or tone of the blog article authors, I, as a parish music director, have used CCWatershed’s resources countless times and have always found the site to be an excellent source of high-quality Sacred Music, which is very hard […]

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Jeff Ostrowski · July 12, 2020

Two Settings • “Holy God, We Praise Thy Name”

Imagine trying to read from a score like this!

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Jeff Ostrowski · July 10, 2020

Featured • “To All Who Care About CCWatershed”

During my 9 years as president, you know I never ask for assistance unless it’s absolutely necessary.

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Jeff Ostrowski · July 8, 2020

Can These Youngsters Save Catholic Music?

This remarkable piece by Father Victoria contains a mind-blowing canon between upper voices!

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Jeff Ostrowski · July 8, 2020

“Just how Tridentine are you?” • Quiz by GIA Publications

GIA’s 2004 article Re: “masses of yesteryear” seems absurd on this 13th Anniversary of Summorum Pontificum.

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Jeff Ostrowski · July 5, 2020

Two remarkable (radical) liturgical realities … which few realize!

It’s interesting to compare the literal translations in the Brébeuf Hymnal to those done by Solesmes Abbey during the 1950s.

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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