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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Rehearsal Video • Breathtaking Morales “Sanctus”

Jeff Ostrowski · March 21, 2020

ARIOUS CATHOLIC SAINTS—such as Padre Pio, Don Bosco, and St. John Vianney—have warned against the sin of idle gossip. Successful choirmasters almost never partake in gossip, because they are usually so overworked they have no time for it. Idle gossip would include constant & unceasing speculation about Covid-19 and the future; and I certainly will not add to such speculation. I would point out, however, that so many people staying home is a perfect opportunity to prepare for Sacred Music Symposium 2020. For this reason, CCWatershed contributors—Veronica Moreno, Andrea Leal, and Cynthia Ostrowski—have come together (digitally) to help me start recording rehearsal videos!

Here is the Sanctus by Father Morales “Missa Mille Regretz” Cappella Sistina MS 17:


Note: You won’t want to miss the “Hosanna” section!

You can also download this song as an Mp3 file.

If you dislike our version, you can hear a professional recording by the Hilliard Ensemble.

Sacred Music Symposium Participants

If you are planning to participate in June, please scroll to the bottom of the Symposium website and you will notice rehearsal videos have slowly begun to appear. Please practice! By the way, the success of the Symposium is not only due to the people who run the Symposium—it’s also due to the participants.  The participants, whether they know it or not, are joining a proud line of Catholic Church musicians going back at least 120 years.  If you read the old journals—such as Caecilia Magazine—you can find many descriptions of church music conferences.

Regarding this Sanctus by Father Morales, there is an amazing history behind this piece.  We have already begun the process of explaining it, but there is much more to discuss. However, when it comes to complicated topics, they must be presented in an organized and proper way—otherwise they just lead to confusion. So please stay tuned!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 24, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)

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