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When Polish virtuoso Carl Tausig died in 1871 at the age of thirty, Franz Liszt said to Anton Rubinstein: “Now there are only two of us left in the world.” Liszt had sent Tausig to Richard Wagner, who wrote as follows: You have given me great pleasure with little Tausig. […] He is a terrible […]
When I look more closely, I notice some very tiny (“itsy bitsy”) hand missals held by the soldiers…
The internet is a very strange thing. I have spent hundreds of hours on certain articles—usually about hymn voice leading—and they get virtually no attention. But last night at 3:30AM I posted an image from WW2 from 9 April 1944 (showing a priest saying Mass with soldiers) and it was viewed 10,000 times on the […]
German troops included in American Easter Sunday Mass via loud-speaker.
An exciting new project gives me great hope for the “musical future” of the Catholic Church!
“Examining the life of Jesus, we discover that He acted differently in different circumstances.”
As the Isaac Jogues Missal would do 650 years later, this Missal provides pictures of the priest during the Canon!
I’m jealous of anyone who can play the organ pedals so fast!
Anton Rubinstein, who hated child prodigies, called Josef Hofmann “the greatest musical genius the world has ever known.”
Some erroneously attack the Extraordinary Form by claiming that before Vatican II “priests rushed through Low Mass in less than 20 minutes.” Well, during the pandemic, we have had Mass without the reception of Communion by the Faithful—and it makes duration of Mass surprisingly shorter. On feasts with no GLORIA, no CREED, and no HOMILY, […]
“Catholic teaching says we should pray for people who die. If we were sure they were in heaven, that wouldn’t be necessary—so let’s be consistent in our teaching.”
Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.
Overkill: “ too much of something; the amount by which destruction exceeds what is necessary.”
If this problem is to be solved, we must first understand it.
Pope Saint John Paul II said in June of 1980: “To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms—especially from Gregorian chant—a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.”
