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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · August 4, 2016

St. Josemaría and the Mass

These pictures can prove St. Josemaría’s love for the Old Mass.

Andrew Leung · July 28, 2016

Free Recordings • British Boys’ Choir

Free recordings of famous British boys’ choirs on YouTube!

Andrew Leung · July 23, 2016

Saints and the “Ad Orientem” Worship

What did the saints say about celebrating the Holy Sacrifice of the Mass facing East?

Andrew Leung · July 21, 2016

Summer Sacred Music Workshop • This Weekend!

The Summer Sacred Music Workshop 2016 is finally here!

Andrew Leung · July 18, 2016

“I Desire Mercy, Not Sacrifice”

How can we renew the liturgy with charity? We shouldn’t seek to win arguments on the liturgy.

Andrew Leung · July 14, 2016

Three False Ideas about “Ad Orientem” Celebration

Three common misconceptions about the Mass and “ad orientem” worship.

Andrew Leung · June 23, 2016

Made in China

Gregorian Chant pew cards in Hong Kong.

Andrew Leung · June 16, 2016

A Guardian of the Sacred Tradition in the South — Part 2

Why is the Basilica community so lively and why are they growing so much?

Andrew Leung · June 10, 2016

St. Agnes in NYC Entrusted to Opus Dei

The Church of St. Agnes in Manhattan will be placed under the care of Opus Dei.

Andrew Leung · June 9, 2016

My Recent Discovery

I recently discovered some amazing Choral Works by Philip Stopford.

Andrew Leung · May 26, 2016

A Guardian of the Sacred Tradition in the South

The Basilica of Sts. Peter & Paul is a Guardian of the Sacred Tradition and a great Patron Sacred Music and Arts.

Andrew Leung · May 19, 2016

Summer Sacred Music Workshop 2016

Southeastern Sacred Music presents Summer Sacred Music Workshop 2016.

Andrew Leung · May 12, 2016

Feast of Bl. Álvaro del Portillo

Blessed Álvaro del Portillo, the successor of St. Josemaría Escrivá and Prelate of Opus Dei.

Andrew Leung · May 5, 2016

Video • Mass during WW2

Vintage video of an army chaplain celebrating Mass during World War II.

Andrew Leung · May 2, 2016

Video • Cardinal Burke on the Traditional Latin Mass

Here is what Cardinal Burke has to say about the Latin Mass.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

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  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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