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Views from the Choir Loft

St. Josemaría and the Mass

Andrew Leung · August 4, 2016

T IS NO SECRET that St. Josemaría Escrivá had a great love for the Old Mass. He was one of the few priests who obtained an indult from the Vatican to continue celebrating the Tridentine Mass after the Second Vatican Council. Here are some pictures, which you might have seen before, of Msgr. Escrivá celebrating the Traditional Latin Mass. I would like to draw your attention to a few details that show the Masses he celebrated were in the Extraordinary Form. If you look carefully, you will see him wearing the maniple on his left hand, the altar cards on the altar and in front of the tabernacle, and the host being placed on the corporal instead of on the paten.

CTL St Josemaria EF 1 CTL St Josemaria EF 2 CTL St Josemaria EF 3 CTL St Josemaria EF 4 CTL St Josemaria EF 5 CTL St Josemaria EF 6 CTL St Josemaria EF 7 CTL St Josemaria EF 8 CTL St Josemaria EF 9

S YOU CAN TELL, St. Josemaría definitely knows how to appreciate true beauty. A lot of people in the Church like to criticize that. They think that one should save money on vestments, sacred vessels, sacred art and other decorations in the church, and give those money to the poor. St. Josemaría saves the best for God. He and his companions lived very simply and they serve the physical poor through their daily works. In the Mass, they feed those who are poor spiritually by bringing Jesus to them through the sacraments and the beauty of art. In the secular world nowadays, we definitely need true art in our churches so that people can see God, who is the source of all beauty.

HERE IS ANOTHER rare and interesting picture of St. Josemaría accompanied by other priests. I really have no clue what occasion this might be. You can see the maniples on the priests’ arms and their stoles were crossed underneath their chasubles. Could this be a concelebrated Mass or an Ordination? Please share your thoughts on our Facebook Page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Andrew Leung

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

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“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

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