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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Biography • Andrew Leung

Andrew Leung · January 4, 2013

NDREW LEUNG is a conductor, organist, and baritone from Hong Kong. He earned his degree in sacred music from Franciscan University of Steubenville, USA. He studied vocal performance under Jessica Ewell, Alanna Keenan, and Christopher Warwick; organ and conducting with Nicholas Will and Paul Weber; and has studied choral singing, conducting, and Gregorian chant by world-acclaimed masters from England, the United States, Italy, Germany, and the Netherlands. After graduating from college, Andrew was appointed the director of music at St. Pius X Catholic Church in Conyers, GA, where he also taught music at the local Trappist monastery. He also co-founded the Southeastern Chapter of the Music Association of America and served on the faculty of their annual sacred music workshop. Andrew had also held similar workshops for religious and parish musicians in Hong Kong and Macau.

*  ANDREW LEUNG • Publicity Photo (A)

*  ANDREW LEUNG • Publicity Photo (B)

*  ANDREW LEUNG • Publicity Photo (C)

In recent years, Andrew has returned to Hong Kong after serving as the choirmaster and organist at the Cathedral of the Nativity of Our Lady, Macau, where he founded and directed the Cathedral Schola of Macau. He currently serves as music director for Vox Antiqua—a choir he founded in 2017—which aims to bring quality church music and innovative programming to audiences across Hong Kong. He also serves as conductor for The Cecilian Singers, one of the oldest choirs in Hong Kong, with whom he recently gave the Asia premiere of Paul Mealor’s Requiem. 1 Recently, Andrew was appointed music director at Our Lady of China Church. As a professional singer, Andrew’s recent performances include singing works by Bach and Buxtehude at the Hong Kong City Hall and taking the role of “the narrator” in The Passion at St. John’s Cathedral. Andrew is currently an artist at the Paul Phoenix Academy, where he works with the former tenor of the King’s Singers and a two-time Grammy Award winner. You can email him questions.

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NOTES FROM THIS ARTICLE:

1   The choir also performed with Hans Zimmer, an award-winning film score composer, at his recent “Live on Tour” Hong Kong stopover, in which Andrew was invited to serve as the Chorus Master.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: August 20, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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