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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

My Recent Discovery

Andrew Leung · June 9, 2016

CTL Philip Stopford INCE JEFF AND DR. TAPPAN both shared about musical repertoire for choirs, I thought it would be nice to share my recent discovery at this time. About a month ago, I discovered a choral setting of Ave Verum Corpus by Philip Stopford on Facebook. This discovery led me to explore other choral works by the British composer and I am very impressed by his compositions!

Philip Stopford is an English sacred music choral composer and choir director. He is known for his contemporary a capella and accompanied settings of traditional Latin and English prayers and hymns. Personally, I enjoy his a capella pieces more than the accompanied ones. I think Stopford is very gifted in writing melodies and he arranges the voicing very effectively.

Mr. Stopford began his musical career as a chorister at Westminster Abbey. He went on to Oxford University to study music at Kelbe College. He has held positions at Truro Cathedral, Chester Cathedral, Canterbury Cathedral and St. Anne’s Cathedral in Belfast. Currently, Stopford is the music director of Christ Church Bronxville, NY. His works appeared in the Classical FM Hall of Fame in 2013 and 2014.

Here are three pieces by Stopford:

1. Ave Verum sung by Melisma


2. Do Not Be Afraid sung by Melisma


3. Te Deum sung by the Choir of St Polycarp’s Parish Church in Belfast


I hope you enjoyed his pieces. You can find videos of his works on his Youtube channel.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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  • PDF Download • “Epitome Gradualis Romani” • Professionally Scanned — 1,106 pages!
  • Re: Ancient Sequence (Thursday after Pentecost)
  • PDF • “For the Season of Pentecost”

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