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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South

Andrew Leung · May 26, 2016

CTL A Guardian of the Tradition in the South WILL BE PRESENTING at two conferences this summer and I am really excited to share my gifts with others. I am so thankful that God gives me the ability to praise him with music and I am so blessed to have experienced the Church’s music, the most powerful music in the world.

The first conference sponsored by the Tridentine Mass Community will be held in Hong Kong in July and the second one will be held at the Basilica of Sts. Peter and Paul in Chattanooga, TN, from July 22 to July 23. Both of these places have a very special place in my heart: Hong Kong is where I grew up and started my musical training. When I first learned Gregorian chant, the schola members of the Tridentine Mass Community were very kind and let me sing with them. It was through those practical experience that I became a more confident and proficient cantor.

The Basilica in Chattanooga is truly a guardian of the Sacred Tradition. They are one of the few that offer traditional liturgies and music. They also have a very active faith formation program. The basilica is where I go relax, pray and sing with friends when I was working in Georgia. They offer a weekly Low Mass in the Extraordinary Form and a monthly Missa Cantata in the afternoon on the fourth Sunday of the month, which is perfect for someone like me who works in a parish all morning. I love the Latin Mass and it really has helped me a lot in my spiritual life. I am so glad that the Basilica offers them because it’s hard to find them in the South. In my experience, their liturgies are celebrated very reverently. Their Masses are always well-attended and people participate actively. There are some instructions given to the visitors and those who are new to the Traditional Latin Mass to help them participate both internally and externally. The congregation is “trained” in making responses and following the different postures during the Mass.

The Sacred Music Program at the Basilica of Sts. Peter and Paul is a vibrant one. I am very excited to go back for the Summer Sacred Music Workshop II that they will be hosting this July. The church itself is a beautiful space and it has the perfect acoustic for choral singing. I am looking forward to play their beautiful pipe organ again and hear the Basilica Choir, and hopefully their children’s choir too.

We have invited Dr. Jennifer Donelson to be our plenary speaker this year. She is an expert in Gregorian chant and I really enjoyed her chant breakouts at the last Colloquium. Also, Mr. Bruce Ludwick from the Cathedral of St. Paul in Birmingham, AL, is the newest addition to our faculty. Bruce is the famous organist who accompanied Fauré’s Requiem at the Colloquium 2015 in Pittsburgh and Mother Angelica’s funeral at the Shrine of the Most Blessed Sacrament. He will be our organ instructor and offering advice to any participant who might be interested in learning more about the “King of the Instruments”.

If you are interested in joining us for the Summer Sacred Music Workshop II, you may register now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

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