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Views from the Choir Loft

Summer Sacred Music Workshop 2016

Andrew Leung · May 19, 2016

CTL Summer Sacred Music Workshop 2016 UILDING ON THE SUCCESS of the 2015 workshop held at Our Lady of the Mountains Church in Jasper, Ga, Southeastern Sacred Music invites you to join them again for the 2016 workshop in Chattanooga, Tennessee. Southeastern Sacred Music is the newly founded chapter of the Church Music Association of America for church musicians in the southeast region of the country.

This year’s workshop is extended to one-and-a-half day long from July 22 to July 23. Participants will have to opportunity the study Gregorian chant and polyphony under the directions of Dr. Jennifer Donelson and other faculty members. The workshop, including a Solemn Vespers and a Novus Ordo Solemn Mass, will be held at the historical and beautiful Basilica of Sts. Peter and Paul in Chattanooga, TN.

REGISTRATION IS NOW OPEN! The registration fee is $60 per person which includes all materials, access to the full program, lunch, and snacks. The cost will rise to $75 for late registration after June 30. The discounted price for full-time students and seminarians is $25. Dormitory rooms at the nearby University of Tennessee at Chattanooga campus will be available, as will lodging in hotels.

Full details will be available soon. For more information, visit the Southeastern Sacred Music website, or contact Maria Rist at music@stspeterandpaulbasilica.com | 865-335-0588.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Andrew Leung

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski
2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski
31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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