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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2025

Jeff Ostrowski · February 28, 2025

Communion • 8th Sunday Ord. Time

This communion is particularly beautiful.

William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

Jeff Ostrowski · February 28, 2025

Re: “Abuse of Catholic Church Musicians”

Listening to yourself singing isn’t fun—but it’s crucial if you wish to improve.

Jeff Ostrowski · February 26, 2025

“Entrance Chant” • 8th Sunday (Ord. Time)

This English adaptation uses mode 1, as does the authentic Gregorian Chant version.

Jeff Ostrowski · February 26, 2025

Did These Public Statements by Father Gelineau Cross the Threshold From Folly to Sin?

Archbishop Sheen said famously: “Freedom is a word much abused.”

Corpus Christi Watershed · February 25, 2025

Famous Italian Actor Regrets Aborting Son

“It was the mistake of my life. When I was very young, I had the chance to become a father, but I had my son aborted. Now, I’ve become very strongly against abortion.” —Andrea Roncato

Jeff Ostrowski · February 24, 2025

A Statement That Still Fills Me With Rage

A choir isn’t some sort of fancy “add-on.”

Jeff Ostrowski · February 24, 2025

“Ash Wednesday” • Banned after 93,000 Views!

It would be difficult to imagine “sacred music” more disturbing than this.

Jeff Ostrowski · February 23, 2025

“Attendance Policy” • For Volunteer Catholic Choirs

There’s no application fee this year—so you have nothing to lose!

Daniel Tucker · February 20, 2025

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, […]

Jeff Ostrowski · February 20, 2025

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

“One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” —Pope Saint Paul VI

Richard J. Clark · February 19, 2025

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Free Communion Antiphons for Ordinary Time: composed & harmonized by Richard J. Clark.

Jeff Ostrowski · February 18, 2025

PDF Download • “Chabanel Tones”

This PDF file contains the various tones—including organ accompaniment—used for the Chabanel Psalter.

Jeff Ostrowski · February 18, 2025

“Theology of Worship” • Msgr. Robert Skeris (1998)

Mother Angelica asks Monsignor Skeris why liturgical music must be sacred.

Jeff Ostrowski · February 18, 2025

“Reform of the Reform” • Is It Dead or Alive?

In spite of what some claim, the “Reform of the Reform” isn’t dead.

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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