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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Theology of Worship” • Msgr. Robert Skeris (1998)

Jeff Ostrowski · February 18, 2025

NYONE WHO HAS studied Catholic sacred music over the last sixty years will know the name of Monsignor Robert Alex Skeris. Some knew him as a professor at the Catholic University of America. Others knew him when he was head of the Theology department at Christendom college. In the CMAA journals, Msgr. Schuler often referenced “Father Skeris of Rome” since he ran the Pontifical Institute of Sacred Music during the 1980s. I was present when Monsignor Skeris gave a lecture to the Sacred Music Colloquium—which he helped found 60 years ago—and received a standing ovation from a packed auditorium. The audience just kept applauding for the longest time…to the point where my ears started to hurt!

A student of Monsignor Skeris sent me a marvelous interview from 7 January 1998. In it, Mother Angelica of EWTN asks Monsignor Skeris to explain the Theology of worship. This excerpt addresses participatio actuosa (“active participation”):

Here’s the direct URL link.

Mother Angelica asks why liturgical music must be sacred:

Here’s the direct URL link.

Monsignor Skeris mentions what the fathers of Vatican II actually voted upon regarding Latin in the liturgy:

Here’s the direct URL link.

The Full Video • You can obtain this 60-minute DVD by searching Google. I think it was in the range of $17.00, and you’ll enjoy hearing Monsignor Skeris give candid answers to excellent questions from the audience. He speaks about the relationship of text & music; why Gregorian chant is the Church’s preference; whether we can use orchestral Masses based on secular tunes; and numerous other topics. I like the part where Mother Angelica presses him to reveal his favorite piece of music! By the way, EWTN has posted a 1990 article by Monsignor Skeris:

*  PDF Download • “Participatio Actuosa” (1990)

If you doubt the importance of discussions by the fathers of Vatican II, read this 1976 reference to the Conciliar relationes.

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Addendum • Requiem
aeternam dona ei, Domine,
et lux perpetua luceat ei.
Requiescat in pace. Amen.

https://www.zimmerfuneralhome.com/obituaries/robert-skeris

https://www.christendom.edu/2025/02/19/christendom-mourns-the-passing-of-professor-emeritus-fr-robert-skeris/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: EWTN Father Skeris, Monsignor Robert Alex Skeris, Participatio Actuosa Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

Recent Posts

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  • Pope Saint Paul VI to Consilium (14 October 1968)

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