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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2024

Jeff Ostrowski · July 31, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

On 20 March 2014, this musical setting was approved for liturgical use by “The Committee on Divine Worship” (a standing committee of the USCCB).

Jeff Ostrowski · July 31, 2024

Reminder • “Lalemant Propers” (392 Pages)

You can purchase this book in hard-copy, but many prefer to download the PDF file.

Jeff Ostrowski · July 30, 2024

“Entrance Chant in English” • 18th Sunday in Ordinary Time, Year B

“Entrance Chant” for the 18th Sunday in Ordinary Time, Year B.

Jeff Ostrowski · July 29, 2024

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

Jeff Ostrowski · July 29, 2024

Can You Answer These Four (4) Questions?

How to unify your parish music program for different Masses in different languages.

Jeff Ostrowski · July 27, 2024

Music List • (17th Sund. Ordinary Time)

Some have expressed interest in seeing my “Order of Music” for tomorrow, which is the 17th Sunday in Ordinary Time, Year B. If such a thing be appealing to you, it can be downloaded as a PDF file.

Jeff Ostrowski · July 26, 2024

“Simplified” Accomp. (3,400 downloads)

Saint Georg’s Windsor is often paired with “Songs Of Thankfulness And Praise” by Christopher Wordsworth.

Richard J. Clark · July 25, 2024

Spanish Psalter that’s great for the Organ!

Free download of Responsorial Psalms in Spanish that work great for the organ from composer Marc Cersiser

Jeff Ostrowski · July 24, 2024

MONTH OF JULY • “Reminder”

Each day, I speak on the phone with Catholics who’ve supported Corpus Christi Watershed for years—yet many don’t subscribe to our free email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. (We have no endowment, no major donors, run no advertisements, and have no savings. Therefore, our […]

Dr. Samuel Backman · July 24, 2024

Sacred Music and Suspicions of Elitism

“While a student, I was told to avoid playing Bach in the context of worship, as doing so might give the impression that I was targeting a sort of ‘elite’ class.” —Dr. Samuel Backman

Jeff Ostrowski · July 23, 2024

“Entrance Chant” • This coming Sunday!

This Sunday (28 July 2024) is the 17th Sunday in Ordinary Time. Here is the PDF file of the ENTRANCE ANTIPHON—in Gregorian notation on five lines—which we’ll be singing. You can also download the organ accompaniment that corresponds to that file. If you are someone who enjoys rehearsal videos, you can listen to my recording […]

Jeff Ostrowski · July 23, 2024

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Including ten (10) alternate versions!

Corrinne May · July 22, 2024

National Catholic Register Features Our Own!

“I listened to his composition in awe.” —Corrinne May

Jeff Ostrowski · July 22, 2024

“Death Stops Us. It Stops Our Race.”

“One builds a house, and its roof is not finished; another buys merchandise, and it is not yet sold.” —Cardinal Newman

Jeff Ostrowski · July 20, 2024

21 July 2024 • “Musical Plan” (English)

Some of our readers expressed interest in what I’m doing for the 16th Sunday in Ordinary Time, Year B. You are welcome to download my musical outline for tomorrow, which is Sunday (21 July 2024). I’ve only been at this job a few weeks—so I don’t have a choir yet. But that will come!

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Is this the dumbest statement ever written? “When considering texts for his motets, Gombert obtained his inspiration from Scripture—such as the Psalms—as opposed to the liturgy of the Roman Catholic church.”

— Wikipedia

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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